Either/Or
From the bestselling author of THE IDIOT
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- 8,99 €
Publisher Description
The new novel from the bestselling author of The Idiot follows one young woman's quest for self-knowledge, as she travels abroad and tests the limits of her newfound adulthood.
'Elif Batuman is the queen of the campus novel... Enchanting' Sunday Times
SELIN IS THE LUCKIEST PERSON IN HER FAMILY:
The only one who was born in America and got to go to Harvard. Now it's her second year, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer...
On the plus side, her life feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy, abandoned women in them? And how does one live a life as interesting as a novel - a life worthy of becoming a novel - without turning into a crazy, abandoned woman oneself?
'Stupendous... Hilarious... Batuman is a genius' Vogue
'This novel wins you over in a million micro-observations' New York Times
'Searingly smart' Evening Standard
PUBLISHERS WEEKLY
In this effervescent sequel to The Idiot, Batuman continues charting the sentimental education of Selin, a student of Russian literature at Harvard. As Selin begins her sophomore year in 1996, she's still nursing an unrequited crush on Ivan, a Hungarian graduate student. Meanwhile, her friends Svetlana and Riley begin dating boys on campus, causing Selin to lament their perceived loss of independence (after Svetlana hooks up with the guy she'll end up with, Selin predicts, "She would never again be what she had been, not in my life, and not in her own"). Observant, defiant, and newly on antidepressants, Selin approaches the mystery of human relations with a beginner's naivete and sharp intelligence. At parties, in dorm rooms, and through reading French, Russian, and German literature and philosophy, she reflects on the tragic asymmetry of connections between men and women, and wonders how, exactly, "a person could live an aesthetic life." Meanwhile, she recounts her frustrations with Proust and reverence for Fiona Apple and Lauryn Hill, and embarks on a messy series of email threads with Ivan and his ex-girlfriend. Batuman's light touch and humor are brought to bear on serious questions, enabling the novel to move quickly between set pieces like an S&M-themed student party, poignant recollections of Selin's parents' divorce, and a harrowing travelogue as Selin begins a summer job in Turkey. As accomplished as The Idiot was, this improves upon it, and Batuman's already sharp chops as a novelist come across as even more refined in these pages. Readers will be enraptured.
