Final Spin
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- 5,99 €
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Number one New York Times bestselling author Jocko Willink’s fast-paced and exciting thriller Final Spin is a story of love, brotherhood, suffering, happiness and sacrifice – a story about life.
Johnny . . .
Shouldn’t be in a dead-end job.
Shouldn’t be in a dead-end bar.
Shouldn’t be in a dead-end life.
But he is.
It’s a hamster-wheel existence. Stocking warehouse store shelves by day, drinking too much whisky and beer by night. In between, Johnny lives in his childhood home, making sure his alcoholic mother hasn’t drunk herself to death, and looking after his idiosyncratic older brother Arty, whose world revolves around his laundromat job.
Rinse and repeat.
Then Johnny’s monotonous life takes a tumble. The laundromat where Arty works, and the one thing that gives him happiness, is about to be sold. Johnny doesn’t want that to happen, so he takes measures into his own hands. Johnny, along with his friend Goat, come up with a plan to get the money to buy the laundromat.
But things don’t always go as planned . . .
PUBLISHERS WEEKLY
Former Navy SEAL and children's book author Willink (Way of the Warrior Kid series) marks his adult fiction debut with the downbeat and gripping story of a group of characters abandoned by the American Dream. At age 23, Johnny cares for his alcoholic mother and mentally challenged brother, Arty, while holding down a dead-end job as a stock boy at a big box store. Arty is obsessed with clean clothes, and when the Laundromat where he works is slated to be sold, Johnny decides to buy the business in order to keep Arty employed. To come up with the $40,000 he needs, Johnny and his best friend, Goat, decide to rob the safe at their store, hand off the money to the owner, then hightail it to Mexico. They get the money, but the getaway scheme is flawed from the start, and Johnny and Goat quickly have the state police on their trail. To make matters worse, Johnny is forced to say goodbye to his girlfriend, Jessica, who has just found out she is pregnant. Willink tells his story in quick blasts of haiku-like writing (Johnny on the customers at his workplace: "People: Flesh-covered robot beings in need of fuel and meaning./ They find both here"), with dialogue reminiscent of early David Mamet. Told with a gritty simplicity, this retains a hold on the reader right through to the inevitable tragic climax.
