Nobody Is Ever Missing
A Novel
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- 8,99 €
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- 8,99 €
Publisher Description
In the spirit of Haruki Murakami and Amelia Gray, Catherine Lacey's Nobody Is Ever Missing is full of mordant humor and uncanny insights, as Elyria waffles between obsession and numbness in the face of love, loss, danger, and self-knowledge.
Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable but unfulfilling life in Manhattan. As her husband scrambles to figure out what happened to her, Elyria hurtles into the unknown, testing fate by hitchhiking, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks.
Her risky and often surreal encounters with the people and wildlife of New Zealand propel Elyria deeper into her deteriorating mind. Haunted by her sister's death and consumed by an inner violence, her growing rage remains so expertly concealed that those who meet her sense nothing unwell. This discord between her inner and outer reality leads her to another obsession: If her truest self is invisible and unknowable to others, is she even alive?
The risks Elyria takes on her journey are paralleled by the risks Catherine Lacey takes on the page. In urgent, spiraling prose she whittles away at the rage within Elyria and exposes the very real, very knowable anxiety of the human condition. And yet somehow Lacey manages to poke fun at her unrelenting self-consciousness, her high-stakes search for the dark heart of the self.
PUBLISHERS WEEKLY
Lacey's debut novel has emotional power, depth, and subtle humor. The protagonist, Elyria, makes the impulsive decision to leave her luxurious New York City apartment, her husband, her job as a scriptwriter for soap operas, and, most importantly, the charade of happiness she has kept up since her sister's suicide. Elyria decides to take a trip to New Zealand, after going to a party and meeting Werner, a successful novelist who said she could stay at his cottage there. She arrives and hitchhikes to Werner's home, along the way meeting Jaye, a transgendered female flight attendant, and Judas, who resembles a character from "a porno or slasher movie," among others. At Werner's cottage, Elyria is content to lead a largely isolated existence, repaying her host's generosity by tending his garden, but eventually Werner tires of her and she has to move on. Lacey rejects the typical dramatic trajectory of a self-discovery story. Instead, she keenly constructs a believable universe composed not of disasters or miracles, but of choices and consequences.
