Peggy
The Life of Margaret Ramsay, Play Agent
-
- 15,99 €
-
- 15,99 €
Publisher Description
With a new foreword by Stewart Pringle, Playwright and Dramaturg of the National Theatre of Great Britain.
Winner of the 1997 Theatre Book Prize
Peggy Ramsay was the most admired British play agent of the twentieth century. With a matchless ability to visualise a play just by reading it on the page, she set up in business in 1953, and over the years nurtured and developed the most dazzling client list which included Eugene Ionesco, Joe Orton, Robert Bolt, David Mercer, John McGrath, Iris Murdoch, John Mortimer, James Saunders, Peter Nichols, Charles Wood, Ann Jellicoe, Edward Bond, Christopher Hampton, David Hare, Alan Ayckbourn, Caryl Churchill, Howard Brenton and Willy Russell. Her role in the development of modern British drama was central.
One of the most remarkable things about her was her instinctive generosity. Peggy believed that the living playwright belonged at the centre of the theatre. A theatre without new writing talent to refresh it was worthless.
PUBLISHERS WEEKLY
Often shifting "without warning from gadfly to nanny, from shepherdess to prophetic sphinx, from temptress to termagant," play agent Ramsay was a charismatic presence in British theater for 25 years. Her keen sense of literary talent was to influence the careers of such playwrights as Eugene Ionesco, Joe Orton, John Mortimer, David Hare and Caryl Churchill. She even played a minor role in the successes of Samuel Beckett and Harold Pinter, neither of whom she represented. With Ramsay's approval, Chambers, literary manager of the Royal Shakespeare Company, interviewed more than 200 of her acquaintances and clients for this book but examined only cursorily her upbringing in South Africa, her early failed marriage to Norman Ramsay and her relationship with actor Bill Roderick, her longtime companion. Most of her private life is passed over quickly in favor of a tiresomely sequential account of Ramsay's involvement in the careers of her more illustrious clients--an account filled with name-dropping and flights of overblown language. This biography should interest anglophiles and those in the theater world, but its appeal could have been broadened with a deeper analysis of the progression of British theater in the 20th century and a more thorough examination of Ramsay's maddening character.
