Race Of Scorpions
The House of Niccolo 3
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- 8,99 €
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- 8,99 €
Publisher Description
The exquisitely-researched standalone prequel series to Dorothy Dunnett's revered Lymond Chronicles, following the ancestors of Francis Crawford of Lymond in Continental Europe.
Race of Scorpions is Book Three in The House of Niccolo series.
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'Who's the lady in trouble, Master Nicholas?'
'She's not a lady. She's a Queen called Carlotta.'
It is 1462 and Carlotta, the young Queen of Jerusalem, Cyprus and Armenia, is besieged by brigands at a farm on the winter road to Bologna when Nicholas vander Poele rides to her rescue - and into deeper trouble.
Now the head of his own private army, Nicholas finds himself a sought-after man by both Carlotta and her half-brother, James. Each lays claim to the throne of Cyprus and each seeks to persuade Nicholas - in more ways than one - to lend his cunning and might to their cause.
As Christians and Muslims, merchants and Mamelukes, the Pope, the Sultan and the Knights of St John wrangle over Cyprus's future, it falls to Nicholas to juggle adversaries and allies to free himself from this conspiracy of scorpions . . .
'The excitement of Dunnett's storytelling runs hand-in-hand with the erudition of her research' The Times
PUBLISHERS WEEKLY
The author of Niccol o Rising and The Spring of the Ram continues the bold adventures of Niccolo (Nicholas vanderok Poele) in this deftly drawn, complex novel of 15th-century intrigue. When Niccolo's wealthy older wife dies in Bruges, he finds himself--at age 21--in the dual role of prosperous merchant and sought-after military strategist. Niccolo's powerful private army is coveted by two warring rulers: steely Carlotta, Queen of Jerusalem, Cyprus and Armenia; and her lethally charming, illegitimate brother, James, who is determined to wrest the kingdom from his detested sister. Niccolo's suave demeanor and physical prowess, his ability to turn a profit as well as a battle, attracts dangerous lovers. The beautiful courtesan Primaflora and the vengeful Katerina--married to a nobleman but the mother of Niccolo's son (whose paternity is a secret)--both disguise their intentions. Through precisely rendered scenes, whether depicting a battle on the high seas, the operations of a dye works, a cleverly plotted ambush (using insects) or the gruesome tactics employed to destroy a proud city under siege, Dunnett furnishes fascinating images while spinning her admirable narrative web.
