Seven Empty Houses
Winner of the National Book Award for Translated Literature, 2022
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- 11,99 €
Publisher Description
* An Oprah Daily Book of 2022 *
A blazing new story collection that will make you feel like the house is collapsing in on you, from the three-time International Booker Prize finalist, 'lead[ing] a vanguard of Latin American writers forging their own 21st-century canon.' -O, the Oprah magazine
The world of Samanta Schweblin's short stories is dark and destabilising. Here, home is not a place of safety but the site of hidden danger, silent menace, unspoken resentment. Picture-perfect doors and spotless windows conceal lives in disarray, slowly unraveling in the face of obsession and fear, jealousy and desire.
Unsettling, exhilarating and fiercely original, these prizewinning stories expose raw and uncomfortable truths about the people and places we think will keep us safe, and ask what happens when that promise proves empty.
'Darker and more tinged with terror than her breakthrough novel, Fever Dream, this is Schweblin at her sharpest and most ferocious.' New York Times Book Review
PUBLISHERS WEEKLY
International Booker Prize finalist Schweblin (Fever Dream) centers her undercooked collection on families defined by an absence, whether physical or of intimacy, memory, or sanity. In the eerie and propulsive opener, "None of That," a young woman and her disturbed mother get stuck in a wealthy neighborhood. After the mother connives her way into the landowner's house, she compulsively tidies and catalogs the woman's belongings. In "Out," a woman flees her apartment wearing a bathrobe during a fight with her husband, only to have a disconcerting night on the town with a man who claims to be the building's "escapist." Unfortunately, Schweblin's stories are far more evocative than substantive, and their sense of uncanny weightlessness—told in brisk, nondescript prose, featuring nameless and indistinct narrators and aimless plots—diminishes intrigue and leaves the reader hungry for deeper imaginative leaps. The exception is "Breath from the Depths," which follows Lola, a retiree, as she descends into dementia and feuds with the young mother across the street. Schweblin can evoke a mesmerizing, eerie tone, but too often does little more than that.
