- 5,99 €
The Sunday Times Top Ten Bestseller, longlisted for the Orwell Prize for Political Fiction 2021
From the acclaimed author of Ghost Wall, Sarah Moss' Summerwater is a devastating story told over twenty-four hours in the Scottish highlands . . .
'Superb' - The Times
'Sharp, searching . . . utterly of the moment' - Hilary Mantel
'So accomplished' - Guardian
It is the summer solstice, but in a faded Scottish cabin park the rain is unrelenting. Twelve people on holiday with their families look on as the skies remain resolutely grey. A woman goes running up the Ben as if fleeing; a teenage boy chances the dark waters of the loch in his kayak; a retired couple head out despite the downpour, driving too fast on the familiar bends.
But there are newcomers too, and one particular family, a mother and daughter with the wrong clothes and the wrong manners, start to draw the attention of the others. Who are they? Where are they from? Should they be here at all? As darkness finally falls, something is unravelling . . .
'A masterpiece' - Jessie Burton
'One of her best' - Irish Times
'Beautifully written, intense, powerful' - David Nicholls
Moss's taut latest (after Ghost Wall) turns a rain-drenched park in the Scottish Highlands into a site of tension and unease for a group of vacationing strangers. The book opens with a middle-aged woman going for a run in the early morning, her family still asleep in their rented cabin. As she follows the trail past an illegally pitched tent, she considers the trope of a dangerous man in the woods. From here on out, each chapter introduces a new point of view among the mix of English tourists and Scots who watch and pass judgment upon one another without interacting, and situations such as a teenage boy's ill-advised kayak trip across a rough loch and a teenage girl's sneaking out at night keep the reader wondering if this is the kind of book where the worst thing will happen. As the noises of late-night revelry from one cabin draw attention from all others, many of whom describe its dwellers wrongly as "foreign" or "those Romanians," the suspense builds. Meanwhile, a series of lyrical interludes describing the park's elements of nature and eons of evolution provide delightfully ironic contrasts to the small human dramas. Readers unafraid of a bit of rain will relish this.