- 8,49 €
'Thrilling, thought-provoking and memorable ... one of dystopian fiction's masterpieces alongside the likes of 1984 and Brave New World.' DAILY EXPRESS
In a ruined and hostile landscape, in a future few have been unlucky enough to survive, a community exists in a giant underground silo.
Inside, men and women live an enclosed life full of rules and regulations, of secrets and lies.
To live, you must follow the rules. But some don't. These are the dangerous ones; these are the people who dare to hope and dream, and who infect others with their optimism.
Their punishment is simple and deadly. They are allowed outside.
Jules is one of these people. She may well be the last.
'The next Hunger Games' SUNDAY TIMES
'Well written, tense, and immensely satisfying, Wool will be considered a classic for many years in the future.' WIRED
'Howey's Wool is an epic feat of imagination. You will live in this world.' JUSTIN CRONIN
'Wool is frightening, fascinating, and addictive. In one word, terrific.' KATHY REICHS
Former bookseller Howey examines the lives of a group that inhabits a massive underground silo that shelters them from the toxic wasteland outside in this interesting but poorly executed debut novel. Sheriff Holston makes sure that law and order are kept in the silo, especially if anyone breaks the most dreaded taboo: expressing a desire to go outside. Anyone who does is immediately condemned to a ritual called "cleaning", wherein they are sent to clean the cameras that project images from outside on the walls of the silo's upper floors. After Holston breaks the taboo, he is replaced by Juliette, an intelligent and hard-headed mechanic from the bowels of the silo with little interest in being sheriff. Juliette discovers information on Holston's hard drive that explains why he broke the taboo and leads her to believe that everyone has been lied to about the outside as well as the nature and purpose of the silo, starting a chain reaction that may bring the silo's tenuous grasp on existence to an end. Wool's success as a self-published e-book is not surprising given its one-two punch of post-apocalyptic wasteland and futuristic dystopia, but Howey's immaturity as a writer, especially the bland characters and conflict reminiscent of B-movies, overshadows his intriguing world.
Alleen het eerste en tweede gedeelte is knap nadien wordt het erg saai