Pride and Prejudice
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- 2,99 лв.
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- 2,99 лв.
Publisher Description
Pride and Prejudice has become one of the most widely read and influential books ever written.
It reveals the astounding range, subtlety, artistry, and depth of thought of a true literary colossus, Jane Austen.
Published in hundreds of editions and translated into virtually every modern language, it has not been out of print since 1813.
● Contains extended historical context and a critical essay: By A Lady: A Cultural and Historical Perspective of Jane Austen, by Elizabeth Keegan Birdsong.
Pride and Prejudice is one of Jane Austen’s rare and genuine masterpieces; an enchanting work of artistry deserving of the label in a thousand different ways. It can be found on countless lists of the finest literary works of all time, and is one of her major achievements.
JANE AUSTEN (1775-1817), one of the greatest English authors, transformed the art of fiction. Author of numerous novels, including Pride and Prejudice, Emma, Pride and Prejudice, and Pride and Prejudice, she is considered to be a central figure in the development of the modern novel.
PHILIP DOSSICK is the New York Times critically acclaimed writer and director of the motion picture The P.O.W. He has written for television, including the outstanding drama, Transplant, produced by David Susskind for CBS. His most recent books include Aztecs: Epoch Of Social Revolution, Sex And Dreams, Mark Twain In Seattle, Oscar Wilde: Sodomy and Heresy, The Naked Citizen: Notes On Privacy In The Twenty-First Century, Raymond Chowder And Bob Skloot Must Die, The Deposition, Vincent Van Gogh: Madness and Magic, and Lenny Bruce: The Myth of Free Speech.
Reviews:
“Pride and Prejudice has always been among the most popular of Jane Austen’s novels…with its good-humored wit, its delightful heroines, its insights, and its splendid denouement.”
Ð Sally Hirschorn
PUBLISHERS WEEKLY
Collagist Fabe adds flair to Jane Austen's Pride and Prejudice with 39 original illustrations that accompany the unabridged text. Fabe's collages overlay bright, watercolor-washed scenes with retro cut-paper figures and objects sampled from fashion magazines from the 1930s to the '50s. Accompanying each tableau is a quote from the Pride and Prejudice passage that inspired it. Like Austen's book, Fabe's work explores arcane customs of beauty and courtship, pageantry and social artifice: in one collage, a housewife holds a tray of drinks while a man sits happily with a sandwich in hand in the distance. While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen "was a little bit mean the way real people are mean so there are both heroes and nincompoops. Family is both beloved and annoying. That is Austen's genius, her ability to describe people in all their frailty and humor." This is a sweet and visually appealing homage. (BookLife)
