Angels Flight
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- USD 9.99
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- USD 9.99
Descripción editorial
In this thrilling New York Times bestseller, LAPD detective Harry Bosch is trying to solve a high-profile lawyer's murder—but first he must face the public's suspicion ... and his darkest fears.
An activist attorney is killed in a cute little L.A. trolley called Angels Flight, far from Harry Bosch's Hollywood turf. But the case is so explosive—and the dead man's enemies inside the L.A.P.D. are so numerous—that it falls to Harry to solve it.
Now the streets are superheating. Harry's year-old Vegas marriage is unraveling. And the hunt for a killer is leading Harry to another high-profile L.A. murder case, one where every cop had a motive. The question is, did any have the guts?
"Michael Connelly is the master of the universe in which he lives, and that is the sphere of crime thrillers. This man is so good at what he does." ―Huffington Post
PUBLISHERS WEEKLY
Hollywood homicide detective Hieronymous (Harry) Bosch (Trunk Music, 1996, etc.) is up to his very stiff neck in politics, police corruption and racial tension. The echo of the Rodney King case is almost deafening when Howard Elias, an African American lawyer famous for suing the LAPD for racially motivated brutality, is shot dead on the short train run up a steep hill in downtown L.A. known as Angels Flight. Bosch and his team--a black woman named Kizmin Rider and a black man named Jerry Edgar--are assigned the highly sensitive case. Although Bosch sniffs racial and departmental political hokum among the brass, he doggedly focuses on finding the killer, knowing that cops will be among the suspects. It all smells even worse when Bosch discovers signs of evidence tampering by the first cops on the crime scene and learns that the civilian attorney assigned to oversee the investigation had personal ties to Elias. A bit of a cowboy anyway, Bosch is even more ornery than usual, since his wife has gone AWOL and returned to gambling. Further hampered by a secretive and even obstructive departmental leadership and by his former partner's apparent links to the crime, Bosch moves well outside the rules to discover the ugly motivation for the killing. Connelly has all the hard-boiled procedural moves down and gives Bosch a reckless crusader's moral code. The finale, set against riots, delivers a brutal, anti-establishment sort of justice. This isn't Connelly's best; the plot is sufficiently ornate to diffuse tension, and Bosch seems to be evolving from the true character of early books into a sort of icon, a Dirty Harry for our times. Simultaneous Time Warner audio; author tour.
