Swirl & Vortex
Collected Poems
-
- USD 17.99
-
- USD 17.99
Descripción editorial
All the blazingly original work by Larry Levis, “one of the greatest poets of a generation” (Carolyn Forché)
The poetry of Larry Levis increasingly occupies a legendary place of reverence among poets and readers—the spell of his reputation only continuing to widen in the thirty years since his death. From the briefer lyrics and deep image-making of his early books to the long sequences and operatic narratives of his last works, Levis’s poems have an unmistakable signature, a way of expressing the sweep of history, perception, and heartbreak. Over his career, his poetic lines broadened to accommodate the cinematic aperture of his observations on American empire, poverty, landscape, migrant workers, political violence, addiction, and art. Levis’s expansive poems came to resemble the interconnecting patterns just discernible in the eddies of a stream or the leaves circling in a wind.
Swirl & Vortex at last makes all of Levis’s poetry available in one definitive volume. This collection includes the five books published in Levis’s lifetime, a brilliant reconfiguration of Levis’s posthumous books, and unpublished late poems, edited and with an afterword by David St. John. To trace Levis’s poetic development into his extraordinary “late style of fire”—cut short by his early death—is one of the singular experiences in contemporary poetry. Swirl & Vortex is an essential collection by one of the great poets of the end of the twentieth century, and a transformative work spiraling out toward our future.
PUBLISHERS WEEKLY
This monumental volume of Levis's collected works is a study in the development and deepening of his gifts, from his debut in 1972 to poems published following his death in 1996. Levis's bruised, engrossing voice suggests the "long, volleying/ Echoes of billiards in the pool halls where/ I spent it all," and a "solitude the world usually allows/ Only to kings & criminals." To read the full sweep of his work is to see an increased expression of the inner life, a voice "full of dusk, and jail cells,/ And bird calls." What stays consistent is the poet's vision of ordinary failure and his thwarted quest for reparation, whether in poems about the self, or in his character- and voice-driven work. Throughout, a wounded, self-deceiving faith is on display: "I got it all wrong./ I wound up believing in words the way a scientist/ Believes in carbon, after death." Levis comes across as unfailingly honest in his self-interrogation, even in the most vulnerable, broken moments: "Out here, I can say anything." He describes a knife used for grape-picking as "silver from so many sharpenings," a phrase that could apply to his writing. It's an essential celebration of a poet of tremendous power.