A Culture of Conspiracy
Apocalyptic Visions in Contemporary America
-
-
3.7 • 3 Ratings
-
-
- $14.99
-
- $14.99
Publisher Description
American society has changed dramatically since A Culture of Conspiracy was first published in 2001. In this revised and expanded edition, Michael Barkun delves deeper into America's conspiracy sub-culture, exploring the rise of 9/11 conspiracy theories, the "birther" controversy surrounding Barack Obama's American citizenship, and how the conspiracy landscape has changed with the rise of the Internet and other new media.
What do UFO believers, Christian millennialists, and right-wing conspiracy theorists have in common? According to Michael Barkun in this fascinating yet disturbing book, quite a lot. It is well known that some Americans are obsessed with conspiracies. The Kennedy assassination, the Oklahoma City bombing, and the 2001 terrorist attacks have all generated elaborate stories of hidden plots. What is far less known is the extent to which conspiracist worldviews have recently become linked in strange and unpredictable ways with other "fringe" notions such as a belief in UFOs, Nostradamus, and the Illuminati. Unraveling the extraordinary genealogies and permutations of these increasingly widespread ideas, Barkun shows how this web of urban legends has spread among subcultures on the Internet and through mass media, how a new style of conspiracy thinking has recently arisen, and how this phenomenon relates to larger changes in American culture. This book, written by a leading expert on the subject, is the most comprehensive and authoritative examination of contemporary American conspiracism to date.
Barkun discusses a range of material-involving inner-earth caves, government black helicopters, alien abductions, secret New World Order cabals, and much more-that few realize exists in our culture. Looking closely at the manifestations of these ideas in a wide range of literature and source material from religious and political literature, to New Age and UFO publications, to popular culture phenomena such as The X-Files, and to websites, radio programs, and more, Barkun finds that America is in the throes of an unrivaled period of millenarian activity. His book underscores the importance of understanding why this phenomenon is now spreading into more mainstream segments of American culture.
PUBLISHERS WEEKLY
Many people assume that the X-Files conspiracy theory--malevolent space aliens in cahoots with shadowy government agencies--is the brainchild of caffeinated scriptwriters with an overnight deadline. But according to this fascinating cultural study, such scenarios have a long and disturbing intellectual pedigree. Political scientist Barkun (Religion and the Racist Right: The Origins of the Christian Identity Movement) traces them to a venerable tradition of"New World Order" conspiracy theories combining fundamentalist dread of the Antichrist with secular right-wing suspicions that the powers that be are controlled by Masons, Jesuits, Jews and, above all, the Illuminati. Starting in the 1980s, extraterrestrials began to appear at the summits of these conspiracy-theory hierarchies, a process accelerated by the Internet's anarchic dissemination and recombination of myths and rumors. The resulting"improvisational millennialism" has yielded any number of baroque"superconspiracies" (one theory yokes together UFOs, the Gestapo, the Mafia and the Wobblies), but Barkun contends there are serious repercussions. As New World Order themes have infiltrated the previously apolitical UFO subculture, he argues, they have become more respectable and widespread: racialist and anti-Semitic ideologies have resurfaced in the coded guise of alien cabals, and a vast popular audience has been introduced by Hollywood to the notion that the government is a totalitarian clique in black helicopters--a view once confined to right-wing extremists. Scholarly but fluently written and free of excessive jargon, Barkun's exploration of the conspiratorial worldview combines sociological depth with a deadpan appreciation of pop culture and raises serious questions about the replacement of democracy by conspiracy as the dominant paradigm of political action in the public mind.