A Botanist's Guide to Flowers and Fatality
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- R$ 94,90
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- R$ 94,90
Descrição da editora
Brilliant botanist Saffron Everleigh is back and ready for adventure in Kate Khavari’s next mesmerizing historical mystery.
“A cleverly plotted puzzle” (Ashley Weaver) in the vein of Opium and Absinthe, this second installment is perfect for fans of Rhys Bowen and Sujata Massey.
1920s London isn’t the ideal place for a brilliant woman with lofty ambitions. But research assistant Saffron Everleigh is determined to beat the odds in a male-dominated field at the University College of London. Saffron embarks on her first research study alongside the insufferably charming Dr. Michael Lee, traveling the countryside with him in response to reports of poisonings. But when Detective Inspector Green is given a case with a set of unusual clues, he asks for Saffron’s assistance.
The victims, all women, received bouquets filled with poisonous flowers. Digging deeper, Saffron discovers that the bouquets may be more than just unpleasant flowers— there may be a hidden message within them, revealed through the use of the old Victorian practice of floriography. A dire message, indeed, as each woman who received the flowers has turned up dead.
Alongside Dr. Lee and her best friend, Elizabeth, Saffron trails a group of suspects through a dark jazz club, a lavish country estate, and a glittering theatre, delving deeper into a part of society she thought she’d left behind forever.
Will Saffron be able to catch the killer before they send their next bouquet, or will she find herself with fatal flowers of her own in Kate Khavari’s second intoxicating installment.
PUBLISHERS WEEKLY
Floriography helps uncover a killer in Khavari's appealing if uneven second Saffron Everleigh mystery (following 2022's A Botanist's Guide to Flowers and Poisons). In 1923 London, Saffron has rejected her suffocating aristocratic background to pursue her passion: botany. Shortly after she and her research partner, Michael Lee, return from treating a child poisoned by an innocent-looking white flower, a local detective inspector recruits the two to consult on a pair of murders; in each case, the dead woman received a strange bouquet. Saffron, using the Victorian-era practice of floriography, analyzes the flowers' "meanings" to help decode the murderer's intent, all while being pulled into a romantic triangle with the arrogant Michael and a moody biologist. The sexual tension between the three, though, feels as if it exists to create additional conflict rather than emerging naturally from the characters. The novel sings when Saffron is searching fields and gardens, scrutinizing plants, and studying archaic floral meanings, and Khavari also gets in some gleeful jabs at snobbish academics. Historical mystery fans will want to see where Saffron goes from here.
