All Boys Aren't Blue
A Memoir-Manifesto
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- R$ 57,90
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- R$ 57,90
Descrição da editora
In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson's All Boys Aren't Blue explores his childhood, adolescence, and college years in New Jersey and Virginia.
A New York Times Bestseller!
Good Morning America, NBC Nightly News, Today Show, and MSNBC feature stories
From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys.
Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson's emotionally frank style of writing will appeal directly to young adults.
Velshi Banned Book Club
Indie Bestseller
Teen Vogue Recommended Read
Buzzfeed Recommended Read
People Magazine Best Book of the Summer
A New York Library Best Book of 2020
A Chicago Public Library Best Book of 2020 ... and more!
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Billed as a "memoir-manifesto," Johnson's debut is a collection of heartfelt personal essays revolving around themes of identity and family. Growing up black and queer in New Jersey and Virginia, Johnson feels a tension between these two identities, even before he's fully conceptualized what makes him stand out from others in his close-knit family. The loving Elder/Johnson clan, led by witty matriarch Nanny (whose take on familial loyalty and intimacy is "You might have to wipe my ass one day"), includes Johnson's cousin Hope, a trans woman who models pride and self-determination. Johnson makes impassioned declarations about the importance of community and inclusive sex education, and the freedom to define oneself outside of society's conditioning. Though at first glance the book lacks the synthesizing call to action that "manifesto" would imply, its "be yourself" message remains a radical stance for doubly marginalized individuals. Johnson's writing is a stylistic hodgepodge of anecdotes ("story time," he periodically declares) and letters to relatives. In a publishing landscape in need of queer black voices, readers who are sorting through similar concepts will be grateful to join him on the journey. 14 up.
