Angelic Music
The Story of Benjamin Franklin's Glass Armonica
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- R$ 57,90
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- R$ 57,90
Descrição da editora
“Fascinating, insightful, and, best of all, great fun…with spirited charm, Mead weaves history, music, science, and medicine into the story” (The Washington Post) of Ben Franklin’s favorite invention: the glass armonica.
Benjamin Franklin is renowned for his landmark inventions, including bifocals, the Franklin stove, and the lightning rod. Yet his own favorite invention—the one he said gave him the “greatest personal satisfaction”—is unknown to the general public. The glass armonica, the first musical instrument invented by an American, was constructed of stacked glass bowls and played by rubbing one’s fingers on the rims. It was so popular in the late eighteenth and early nineteenth centuries that Mozart, Beethoven, Handel, and Strauss composed for it; Marie Antoinette and numerous monarchs played it; Goethe and Thomas Jefferson praised it; Dr. Franz Mesmer used it for his Mesmerism sessions. Franklin played it for Washington and Jefferson.
In Angelic Music, Corey Mead describes how Franklin’s instrument fell out of popular favor, partly due to claims that its haunting sounds could drive musicians out of their minds. Audiences were also susceptible; a child died during a performance in Germany. Some thought its ethereal tones summoned spirits or had magical powers. It was banned in some places.
“Charming and fascinating…part musicology and part cultural history…Mead’s lively storytelling opens a window into a (as it were) mesmerizing chapter of music history” (Publishers Weekly). The armonica has in recent years enjoyed a revival. Composers are again writing pieces for it in genres ranging from chamber music and opera to electronic and popular music. Mead brings this instrument back to the public eye in Angelic Music, “a highly readable and informative…from a genial historical guide” (Kirkus Reviews).
PUBLISHERS WEEKLY
In this charming and fascinating book, part musicology and part cultural history, Mead (War Play) looks at how Benjamin Franklin developed his most cherished invention, the armonica a mechanized instrument based on "musical glasses" and consisting of glasses of various sizes arranged on a spindle that could be turned by a foot pedal, allowing the musician to play it with both hands, much like a harpsichord. Franklin's armonica produced such a heavenly sound that he and others believed it had healing powers. The instrument gained enormous popularity in the 18th century in America and Europe. Marianne Kirchgessner proved such a virtuoso on the armonica that Mozart wrote two pieces for the instrument for her; novels by George Sand and E.T.A. Hoffmann feature the instrument and its effects on listeners; Franz Mesmer, the father of hypnotism, used it as part of his s ances because he believed its music promoted the animal magnetism necessary for healing. By the 19th century, as Mead wonderfully explains, detractors blamed the armonica and its haunting sounds for illness, insanity, and even death, and the instrument fell into obscurity until 1960, when the German glassblower Gerhard Finkenbeiner encountered the armonica in a museum. Mead's lively storytelling opens a window into a (as it were) mesmerizing chapter of music history.
