Augustine the African
Longlisted for the Cundill History Prize 2026
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- R$ 44,90
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- R$ 44,90
Descrição da editora
LONGLISTED FOR THE CUNDILL HISTORY PRIZE 2026
An eye-opening new history of one of Christianity's most important figures - and one of Pope Leo XIV's primary inspirations
'Brilliant' SPECTATOR
'Illuminating' NEW YORKER
'Rich and sympathetic' TLS
Augustine of Hippo is one of the world's most influential theologians, an early Christian writer whose work shaped the course of Western philosophy. Born in Numidia in 354 CE, Augustine's African identity has long been painfully denied. But it was foundational to his thinking and faith. Drawing on original sources and the Augustinian texts themselves, world-renowned scholar Catherine Conybeare traces Augustine's travels from North Africa to the European continent and back again, placing his African origins firmly at the centre of his story.
A tale of exile, faith and identity, Augustine the African upends conventional knowledge about one of Christianity's most celebrated saints, and recentres Africa as the locus of early Catholic intellectual activity - with Europe on the periphery.
PUBLISHERS WEEKLY
In this rich and elegant biography, classicist Conybeare (The Irrational Augustine) re-centers the African cultural heritage of St. Augustine. Conybeare argues that, though Augustine's monumental influence on Western history is rightly celebrated—including how "his Confessions created the genre of autobiography as we know it"—his mixed Roman and Berber heritage and the fact that all his writing and preaching were done in "his homeland of Algeria" have been "simply ignored." Augustine himself was much more candid—he describes being mocked "for his African way of speaking" Latin—and his outsider status greatly inspired his thinking, according to Conybeare. Among her examples is an incident where a young Augustine rebuked a tutor who expressed anti-Christian views (opining that the Roman gods were being ignored in favor of "the tombs of martyrs with ‘hateful names' ") by drawing on his African identity to leverage both a pro-Christian and anti-Roman critique. Another is his ambivalence in preaching against the Donatists, a schismatic African church that "read... Africa into the biblical texts." Conybeare convincingly argues that this ambivalence infused Augustine's masterpiece, The City of God, a "counterintuitive" work that imagined a Christian stronghold as "a place of hope for people damaged by events" like the rise and fall of empires. It's an essential reconsideration of a seminal figure in the Western canon.
