Bohemian Paris
Picasso, Modigliani, Matisse, and the Birth of Modern Art
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- R$ 10,90
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- R$ 10,90
Publisher Description
“[An] epic account of life and loves among artists and writers in Paris from belle époque to world slump.” —William Feaver, The Spectator
A legendary capital of the arts, Paris hosted some of the most legendary developments in world culture—particularly at the beginning of the twentieth century, with the flowering of fauvism, cubism, dadaism, and surrealism.
In Bohemian Paris, Dan Franck leads us on a vivid and magical tour of the Paris of 1900–1930, a hotbed of artistic creation where we encounter Apollinaire, Modigliani, Cocteau, Matisse, Picasso, Hemingway, and Fitzgerald, working, loving, and struggling to stay afloat. Sixteen pages of black-and-white illustrations are featured.
“Franck spins lavish historical, biographical, artistic, and even scandalous details into a narrative that will captivate both serious and casual readers . . . Marvelous and informative.” —Carol J. Binkowski, Library Journal
PUBLISHERS WEEKLY
Franck, an extremely prolific French novelist, has produced some gloomy fictional narratives of wrenching relationships, a few of which have appeared in English (Separation; My Russian Love). He seems to want to lighten up here with a series of nonfiction anecdotes rife with novelistic invented dialogue. In three main sections, titled by neighborhood ("The Anartists of Montmartre," "Montparnasse Goes to War" and "Montparnasse, Open City,") a series of tales involving early 20th-century art movements like fauvism, cubism, dadaism and surrealism are recounted as if yelled artist to artist across the counter of a noisy bistro, as Franck assumes a deep familiarity with the subject. Leaping from writers Apollinaire, Cocteau and Hemingway to painters Modigliani, Picasso and Matisse, Franck drops names ponderously. His disavowal in the preface, "I am not an art historian" is not modest enough; there is little conventionally grounded history among these yarns of brawls, food fights, drunken disputes and art making. A poor translation does not help, with sentences like "Charlie Chaplin didn't come, and nor did Bergson or D'Annunzio" or " 'I forbid you to excite yourself with my women!' exclaimed Pascin." French culture buffs will be vexed by such formulations, while anyone not already familiar with obscure Parisian figures like the painters Foujita and Pascin will just be puzzled. 16 pages of b&w photos and illus. not seen by PW. (Feb. 19 )
