Flower Fables
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- R$ 14,90
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- R$ 14,90
Descrição da editora
Venture to a world of fairies and flowers in this nineteenth-century collection of stories and poems from the beloved author of Little Women.
At the tender age of sixteen, Louisa May Alcott's imagination was already in full bloom. From tales she told her neighbor, Ellen, daughter of Ralph Waldo Emerson, she wove together stories and songs about fairies, elves, talking flowers, and animals. With innocence and whimsy, Alcott revealed the shadowy kingdom of the Frost-King; introduced the vain fairy, Thistledown, and his kindly friend, Lily-Bell; descended into the depths of the sea with Ripple, the water-spirit; and more!
The inspiration for the setting of "Fairyland" was in fact the wooded area around Walden Pond owned by Emerson, where Henry David Thoreau would lead the Alcott sisters and their friends on the berry-picking adventures that activated a rich fantasy world in young Alcott's mind. As delicately constructed as a butterfly's wings, these fanciful fables offer a sweet and fascinating glimpse into the imagination of a legendary American writer who had just begun to find her voice.
Flower Fables includes"The Frost King: Or, The Power of Love," "Eva's Visit to Fairy-Land," "The Flower's Lesson," "Lily-Bell and Thistledown," "Little Bud," "Clover-Blossom," "Little Annie's Dream: Or, The Fairy Flower," and "Ripple, the Water-Spirit
Fairy Song."
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
PUBLISHERS WEEKLY
Written for Ralph Waldo Emerson's daughter, Ellen, when Alcott was 16, and first published in 1855, these six prosy fairy tales were chosen from a 1992 collection, Louisa May Alcott's Fairy Tales and Fantasy Stories, edited by Daniel Shealy; Shealy provides an informative afterword here. Readers meet a cast of elves, fairies, brownies and sprites with such Shakespearean names as Willy Wisp, Moonbeam and Thistledown, and the children who occasionally dally with them. Thinly disguised morality lessons told in an over-upholstered style, they instruct the audience in the importance of various virtues. In "The Frost King," for example, elves resolve to conquer the ice-hearted ruler of winter through peaceable means ("Let us teach you how beautiful sunshine and love and happy work can make you"). More than a little dated, the stories grow tedious with lofty homilies (e.g., "little Annie dwelt like a sunbeam in her home, each day growing richer in the love of others and happier in herself"). Preiss's (The Pig's Alphabet) garish artwork further hampers an emotional connection to the stories. The lack of tonal subtlety is aggravated by a self-consciously multicultural-esque grouping of fairy folk with oversize but misshapen eyes and bizarrely pointed ears and chins. Even the typeface, which has distractingly flowery ligatures, is overdone. All but the most die-hard Alcott fans can skip this one. Ages 5-12.
