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Descrição da editora
Twelve early pieces never before collected that offer an illuminating glimpse into the mind and process of Joan Didion.
Mostly drawn from the earliest part of her astonishing five-decade career, the wide-ranging pieces in this collection include Didion writing about a Gamblers Anonymous meeting, a visit to San Simeon, and a reunion of WWII veterans in Las Vegas, and about topics ranging from Nancy Reagan to Robert Mapplethorpe to Martha Stewart.
Here are subjects Didion has long written about – the press, politics, California robber baronsac, women, the act of writing, and her own self-doubt. Each piece is classic Didion: incisive and, in new light, stunningly prescient.
Praise for Let Me Tell You What I Mean:
‘The peripheral, the specific, the tangible – or, as the writer Hilton Als notes in his foreword, “the Didion gaze”, the penetrating prose of a reporter who writes with a scalpel – is by far the most compelling theme in Didion’s latest collection of essays’ Vogue
‘The clarity of Didion's vision and the precision with which she sets it down do indeed feel uncanny … Reading her now, she does seem prophetic, as manifested, for instance, in her concerns in 1968 about the weaknesses of the “traditional press”, whose unspoken attitudes and “quite factitious ‘objectivity’” come “between the page and the reader like so much marsh gas”. Perhaps those iconic sunglasses were really X-ray specs’ Independent
‘Didion’s dogged pursuit of the truth in her writing is more vital than ever in our era of fake news, echo chambers and political turmoil. This is an essential read that reminds us of her magic’ i Paper
‘The slighter these pieces are, the more remarkable they seem: they’re so deft and enigmatic … A sentence by Didion, whether it sticks to 39 characters or articulates possibilities in multiple dependent clauses, is always a marvel of magical thinking’ Observer
‘One of the most celebrated, influential and pioneering writers of the past 60 years. As the great chronicler of US cultural, societal and political movements, Didion’s prose illuminates understanding of what connects and divides a nation … It’s a treat for Didion fans but also serves as an introduction to the writing that would become legendary’ Irish Times
‘A valuable addition to the literature of self-doubt and self-awareness, an elegant untangling of what and why we remember and forget’ Francesca Wade, Guardian
About the author
Joan Didion is one of America’s most respected writers, her work constituting some of the greatest portraits of modern-day American culture. Over the four decades of her career, she has produced widely-acclaimed journalistic essays, personal essays, novels, non-fiction, memoir and screenplays. Her memoir The Year of Magical Thinking won the National Book Award and the Pulitzer Prize.
This wide-ranging essay collection from Didion (South and West: From a Notebook) showcases her strengths as a short form writer. Organized chronologically from 1968 to 2000, the pieces trace Didion's development as an essayist and offer glimpses of late-20th-century social history. In 1968's "Alicia and the Underground Press," Didion writes of "tabloid-sized papers that respect the special interests of the young and the disaffiliated," praising their ability to speak directly to their readers; "The Long-Distance Runner," from 1993, is an ode to filmmaker Tony Richardson: "I never knew anyone who so loved to make things," she writes; and "Everywoman.com," from 2000, examines the "cultural meaning of Martha Stewart's success" and the way she "branded herself not as Superwoman but as Everywoman." As always, the writing is captivating in the early "Getting Serenity," she writes about attending a Gamblers Anonymous meeting ("I got out fast then, before anyone could say serenity' again, for it is a word I associate with death") and finds just the right details to nail down the feeling of a bygone era for example, the mix of "plastic hydrangeas" and cigarette smoke at the GA meeting. Didion fans new and old will be delighted.