Looking for The Stranger
Albert Camus and the Life of a Literary Classic
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- R$ 5,90
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- R$ 5,90
Descrição da editora
A New York Times Notable Book. A literary exploration that is “surely destined to become the quintessential companion to Camus’s most enduring novel” (PopMatters).
The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus’s novel has been translated into sixty languages and sold more than six million copies. It’s the rare novel that’s as likely to be found in a teen’s backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it.
How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for The Stranger, Alice Kaplan tells that story. In the process, she reveals Camus’ achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.
“To this new project, Kaplan brings equally honed skills as a historian, literary critic, and biographer . . . Reading The Stranger is a bracing but somewhat bloodless experience. Ms. Kaplan has hung warm flesh on its steely bones.” —The New York Times
“For American readers, few French novels are better known, and few scholars are better qualified than Kaplan to reintroduce us to it . . . Kaplan tells this story with great verve and insight, all the while preserving the mystery of its creation and elusiveness of its meaning.” —Los Angeles Review of Books
“The fascinating story behind Albert Camus’ coldblooded masterpiece . . . A compelling companion to a novel that has stayed strange.” —Kirkus Reviews
PUBLISHERS WEEKLY
Kaplan (Dreaming in French), a professor of French at Yale, persuasively retells the story of writer Albert Camus and his classic first novel, The Stranger. She explores Camus's inspirations and influences (including James M. Cain's The Postman Always Rings Twice), themes, and distinctive writing style. She also charts the feedback he received from mentors and from literary lions such as Andr Malraux. The road to publication was made difficult by WWII, which created impediments such as a shortage of quality paper and German-imposed censorship. However, Camus was bolstered by the support of the French intellectual and publishing elite, who were intrigued by the emergence of a new talent from a poor neighborhood in Algiers. Most fascinating are the chapters recounting the years after The Stranger's 1942 publication, as the novel's popularity took it well beyond Camus's grasp. Kaplan provides fascinating tidbits of information, such as why the novel is called The Outsider in the U.K., and explains how this seemingly simple story became a prime example of French literature to be examined, dissected, and loved by readers, students, and teachers for generations.
