People Person
-
- R$ 67,90
-
- R$ 67,90
Descrição da editora
The author of the “brazenly hilarious” (Oprah Daily) Queenie returns with another witty and insightful “treat” (Jesse Armstrong, creator of Succession) of a novel about the power of family—even when they seem like strangers.
If you could choose your family...you wouldn’t choose the Penningtons.
Dimple Pennington knows of her half-siblings, but she doesn’t really know them. Five people who don’t have anything in common except for faint memories of being driven through Brixton in their dad’s gold jeep, and some pretty complex abandonment issues. Dimple has bigger things to think about.
She’s thirty, and her life isn’t really going anywhere. An aspiring influencer with a wayward boyfriend, Dimple’s life has shrunk to the size of a phone screen. And despite a small but loyal following, she’s never felt more alone in her life. That is, until a dramatic event brings her half-siblings—Nikisha, Danny, Lizzie, and Prynce—crashing back into her life. And when they’re all forced to reconnect with Cyril Pennington, the absent father they never really knew, things get even more complicated.
Vibrant and charming, People Person is “a way-out combination of family drama, madcap plot, and political edge” (Kirkus Reviews).
PUBLISHERS WEEKLY
Carty-Williams's underwhelming sophomore effort (after Queenie) follows five London siblings and half siblings who were raised by their mothers, and hardly glimpsed their father, Jamaican playboy bus driver Cyril Pennington. As adults, they've gone their separate ways, never having cause to interact, much less build meaningful relationships. That is, until protagonist Dimple Pennington, an aspiring social media influencer at 30 who lives with her mother, lands in hot water after a fight with her abusive boyfriend, Kyron, ends with him slipping and falling in their kitchen. Dimple, worried Kyron is dead and she will be accused of murder, calls her oldest sister, Nikisha, for help, and Nikisha arrives on the scene with the other three siblings—a dramatic if implausible development. A wild romp ensues as they try to hide Kyron's body. As Dimple faces a ticking clock involving a nude photo and blackmail, the plot oscillates between the quest to put the incident with Kyron behind them and the siblings' developing relationships with one another. As Cyril slips back into their lives, they begin to understand him through his own family history. The juicy premise gives way to conflicts that are solved too easily, and there are too many anticlimactic scenes. There's potential here, but's rather frustratingly not realized. Agents: Deborah Schneider and Gelfman Schneider, ICM Partners.
