That Old Black Magic
Louis Prima, Keely Smith, and the Golden Age of Las Vegas
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- R$ 67,90
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- R$ 67,90
Descrição da editora
Both a love story and a tribute to the entertainment mecca, this exploration shines a spotlight on one of the hottest acts in Las Vegas in the late 1950s and early 1960s. The illuminating depiction showcases the unlikely duo—a grizzled, veteran trumpeter and vocalist molded by Louis Armstrong and a meek singer in the church choir—who went on to invent “The Wildest.” Bringing together broad comedy and finger-snapping, foot-stomping music that included early forays into rock and roll, Prima and Smith’s act became wildly popular and attracted all kinds of star-studded attention. In addition to chronicling their relationships with Ed Sullivan, Frank Sinatra, Robert Mitchum, and other well-known entertainers of the day—and their performance of “That Old Black Magic” at President John F. Kennedy’s inauguration—the narrative also examines the couple’s ongoing influence in the entertainment world. Running concurrent with their personal tale is their role in transforming Las Vegas from a small resort town in the desert to a booming city where the biggest stars were paid tons of money to become even bigger stars on stage and television.
PUBLISHERS WEEKLY
Clavin (Halsey's Typhoon) commemorates the centennial of trumpeter Louis Prima's birth with an entertaining biography of the bandleader's colorful life, music, and marriages especially his union with fourth wife, singer Keely Smith, 18 years his junior. In the Vegas of the early 1950s and '60s, Prima and Smith's raucous all-night lounge act, nicknamed "The Wildest," thrilled both tourists and celebrities with an energetic mix of Dixieland, swing, rock, and off-color humor. Clavin brings the stage act to life, ably evoking the Vegas lifestyle it helped popularize. Through anecdotes, pop criticism, and comments from print and video sources as well as original interviews, the complex Vegas backstory of racism, gangsters, the Rat Pack, and Howard Hughes is palpable. Not so the Primas' offstage existence, the descriptions of which are surprisingly flavorless. After tracing Prima's musical fortunes from his New Orleans roots through gigs at Manhattan's famed 52nd Street jazz clubs to his reign at the Casbar Lounge of the Sahara Hotel, Clavin portrays Prima's relationship to the alluring Cherokee-Irish Smith as a bit of musical luck that turned romantic, until their divorce in 1961.
