The Doll Factory
A Novel
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- R$ 62,90
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- R$ 62,90
Descrição da editora
The #1 international bestseller and The New York Times Editor’s Choice
“As lush as the novels of Kate Morton and Diane Setterfield, as exciting as The Alienist and Iain Pears’ An Instance of the Fingerpost, this exquisite literary thriller will intrigue book clubs and rivet fans of historical fiction.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window
“A lush, evocative Gothic.” —The New York Times Book Review
“This terrifically exciting novel will jolt, thrill, and bewitch readers.” —Booklist, starred review
Obsession is an art.
In this “sharp, scary, gorgeously evocative tale of love, art, and obsession” (Paula Hawkins, bestselling author of The Girl on the Train), a beautiful young woman aspires to be an artist, while a man’s dark obsession may destroy her world forever.
Obsession is an art.
In 1850s London, the Great Exhibition is being erected in Hyde Park and, among the crowd watching the dazzling spectacle, two people meet by happenstance. For Iris, an arrestingly attractive aspiring artist, it is a brief and forgettable moment. But for Silas, a curiosity collector enchanted by all things strange and beautiful, the meeting marks a new beginning.
When Iris is asked to model for Pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly, her world begins to expand beyond her wildest dreams—but she has no idea that evil is waiting in the shadows. Silas has only thought of one thing since that chance meeting, and his obsession is darkening by the day.
“A lush, evocative Gothic” (The New York Times Book Review) that is “a perfect blend of froth and substance” (The Washington Post), The Doll Factory will haunt you long after you finish it and is perfect for fans of The Alienist, Drood, and Fingersmith.
PUBLISHERS WEEKLY
MacNeal's lively debut finds a fresh way to dramatize the Pre-Raphaelite Brotherhood of revolutionary, mid-19th-century British painters. In addition to William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti, MacNeal creates a fictitious PRB member, Louis Frost, who meets Iris Whittle, the heroine, a painter of miniature faces at Mrs. Salter's Doll Emporium. Dismissed for being a woman, Iris longs to be seen as a real painter, and when she meets Frost, he proposes a deal: if she poses for him, he will give her art lessons. At the same time, Iris also comes to the attention of Silas Reed, a taxidermist who sells stuffed animals to artists as props for their paintings. Unbeknownst to Iris, he stalks her with the intention of possessing her like an object. Louis turns out to be a generous mentor and Iris ends up falling for him. Only Albie, a light-fingered street urchin befriended by Iris, is aware of how much danger she is in from the obsessed Silas. Told against the backdrop of the Great Exposition at the Crystal Palace and its industrial wonders, MacNeal's consistently enjoyable novel reads like an art history lecture co-delivered by Wilkie Collins and Charles Dickens and read from a revisionist feminist script. This debut is a blast; it enticingly vacillates between a realistic depiction of the Pre-Raphaelite Brotherhood's London and lurid Victorian drama.
