The Secret Teachings of All Ages
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- R$ 6,90
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- R$ 6,90
Descrição da editora
Symbolism is the language of the Mysteries; in fact it is the language not only of mysticism and philosophy but of all Nature, for every law and power active in universal procedure is manifested to the limited sense perceptions of man through the medium of symbol. Every form existing in the diversified sphere of being is symbolic of the divine activity by which it is produced. By symbols men have ever sought to communicate to each other those thoughts which transcend the limitations of language. Rejecting man-conceived dialects as inadequate and unworthy to perpetuate divine ideas, the Mysteries thus chose symbolism as a far more ingenious and ideal method of preserving their transcendental knowledge. In a single figure a symbol may both reveal and conceal, for to the wise the subject of the symbol is obvious, while to the ignorant the figure remains inscrutable. Hence, he who seeks to unveil the secret doctrine of antiquity must search for that doctrine not upon the open pages of books which might fall into the hands of the unworthy but in the place where it was originally concealed...
PUBLISHERS WEEKLY
In 1928, a 20-something Renaissance man named Manly Hall self-published a vast encyclopedia of the occult, believing that "modern" ideas of progress and materialism were displacing more important and ancient modes of knowledge. Hall's text has become a classic reference, dizzying in its breadth: various chapters explore Rosicrucianism, Kabbalah, alchemy, cryptology, Tarot, pyramids, the Zodiac, Pythagorean philosophy, Masonry and gemology, among other topics. This affordably priced edition would be vastly improved by a new foreword, placing the work in some kind of historical and critical context and introducing readers to the basic contours of Hall's sweeping corpus. Instead, we have a disciple's adulatory 1975 foreword, which merely parrots the same themes of mystery and esoterica that are espoused in the book. Readers who are unfamiliar with Hall's work will be at a loss in ferreting out which chapters have stood the test of time and which have been vigorously debunked (like the one on Islam, which actually uses novelist Washington Irving as a primary source on the prophet Muhammad). However, they will also marvel at the sheer scope of Hall's research and imagination, and at J. Augustus Knapp's famous illustrations, including a 16-page color insert.
