The Three
A Novel
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- R$ 32,90
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- R$ 32,90
Descrição da editora
Four simultaneous plane crashes. Three child survivors. A religious fanatic who insists the three are harbingers of the apocalypse. What if he's right?
The world is stunned when four commuter planes crash within hours of each other on different continents. Facing global panic, officials are under pressure to find the causes. With terrorist attacks and environmental factors ruled out, there doesn't appear to be a correlation between the crashes, except that in three of the four air disasters a child survivor is found in the wreckage.
Dubbed 'The Three' by the international press, the children all exhibit disturbing behavioural problems, presumably caused by the horror they lived through and the unrelenting press attention. This attention becomes more than just intrusive when a rapture cult led by a charismatic evangelical minister insists that the survivors are three of the four harbingers of the apocalypse. The Three are forced to go into hiding, but as the children's behaviour becomes increasingly disturbing, even their guardians begin to question their miraculous survival . . .
PUBLISHERS WEEKLY
Lotz has published "urban horror" and young adult zombie novels with collaborators and under pseudonyms, but this disappointing book is the first to appear under her real name. Its premise is promising: four planes crash on the same day in Japan, South Africa, the United States, and the United Kingdom, respectively, leaving three survivors, all young children: Hiro in Japan, Bobby in New York, and Jessica in London (no one, apparently, survived the crash in Johannesburg). The very act of their survival and the coincidence of the crashes understandably unnerve the whole world and prompt all manner of conspiracy theories (terrorists? aliens?), which go viral, of course, online. One adult, Pamela May Donald, a devout Christian from Texas, survives the crash in Japan long enough to phone her husband, and her final words provide opportunistic televangelists the chance to proclaim this a harbinger of the Rapture. The novel is presented in the guise of a nonfiction book, Black Thursday: From Crash to Conspiracy by Elspeth Martins, which is itself a pastiche of every conceivable genre: chat room transcripts, blog posts, news articles, and interviews (no chapter is more than a few pages long). But this approach involves dozens of characters, many of them peripheral to the central storyline, and the result reads like a faulty mash-up: plenty of bits and pieces (often well rendered by Lotz), but they don't coalesce into a real narrative with the kind of momentum or urgency that the premise calls for.
