A startlingly original tale of heartbreak and suspense
A car tumbles down a snowy ravine. Accident or suicide?
On the other side of the world, a young woman walks out of a sandstorm in sub-Saharan Africa. In the labyrinth of the Niger Delta, a young boy learns to survive by navigating through the gas flares and oil spills of a ruined landscape. In the seething heat of Lagos City, a criminal cartel scours the internet looking for victims.
Lives intersect, worlds collide, a family falls apart. And it all begins with a single email: “Dear Sir, I am the son of an exiled Nigerian diplomat, and I need your help ...”
419 takes readers behind the scene of the world’s most insidious internet scam. When Laura’s father gets caught up in one such swindle and pays with his life, she is forced to leave the comfort of North America to make a journey deep into the dangerous back streets and alleyways of the Lagos underworld to confront her father’s killer. What she finds there will change her life forever ...
From the internationally bestselling travel writer Will Ferguson, author of Happiness™ and Spanish Fly, comes a novel both epic in its sweep and intimate in its portrayal of human suffering. It’s a story of love in a time of darkness, of one woman’s search for redemption, and of a young boy who will triumph above it all.
Ferguson's African epic, which won Canada's Scotiabank Giller prize in 2012, details the linked lives of four individuals, three African and one Canadian, drawn together by Nigeria's bloody, exploited history. Laura seeks justice for her murdered father; amoral Winston chases wealth at any cost; Nnamdi and Amina seek only honest employment and a chance to raise Amina's child. Greed contends with generosity and vengeance with forgiveness in a world where the bad prosper and acts of charity are harshly punished. Despite the terrible events of the book, the author leaves room for hope of a better tomorrow. White North Americans grappling with the matter of Africa' is an often fraught affair, bright white teeth contrasted with chocolate skin, where tides of causeless violence wash across the hopeless continent and exoticized, sexualized natives exist solely to provide a supporting cast for white protagonists. Ferguson avoids many of the pitfalls of this genre; every terrible action has a motivation, Nigeria's present calamities have a historical and international context. Most importantly, Winston, Nnamdi and Amina do not exist merely to cast an edifying light on Laura, but, as she belatedly comes to appreciate, have inner lives, goals and ambitions of their own. Ferguson provides a template for novels about Africa other Western authors would do well to contemplate.
One of the best books I have read so far... would definitely recommend it..good job!!