A Shore Thing
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- $14.99
Publisher Description
"Glorious.... Every scene in this book is a treasure."--The New York Times
Named a Best Romance of the Year by The New York Times and Parade
A delightfully queer Victorian love story, featuring a boldly brash trans hero, the beguiling botanist who captures his heart, and a buoyant bicycle race by the British seaside — from the author of The Duke Undone.
Former painter and unreformed rake Kit Griffith is forging a new life in Cornwall, choosing freedom over an identity that didn't fit. He knew that leaving his Sisterhood of women artists might mean forfeiting artistic community forever. He didn’t realize he would lose his ability to paint altogether. Luckily, he has other talents. Why not devote himself to selling bicycles and trysting with the holidaymakers?
Enter Muriel Pendrake, the feisty New-York-bound botanist who has come to St. Ives to commission Kit for illustrations of British seaweeds. Kit shouldn’t accept Muriel’s offer, but he must enlist her help to prove to an all-male cycling club that women can ride as well as men. And she won't agree unless he gives her what she wants. Maybe that's exactly the challenge he needs.
As Kit and Muriel spend their days cycling together, their desire begins to burn with the heat of the summer sun. But are they pedaling toward something impossible? The past is bound to catch up to them, and at the season’s end, their paths will diverge. With only their hearts as guides, Kit and Muriel must decide if they’re willing to race into the unknown for the adventure of a lifetime.
PUBLISHERS WEEKLY
Muriel Pendrake, a cis female botanist, and Kit Griffith, a trans male cyclist, battle Victorian sexism and their own feelings in this sparkling romance from Lowell (Artfully Yours). Muriel visits St. Ives, Cornwall, with her best friend, Dr. James Raleigh, to collect algae specimens for an upcoming lecture and hopefully commission an elusive painter whose work she saw at a friend's house to illustrate them. After Kit nearly runs Muriel over on his bicycle, Muriel's shocked to learn that he is the lapsed painter she's been looking for. Kit has abandoned art since transitioning, but he'll take the job if Muriel will first help him win an ill-conceived wager against a misogynistic rival who claims women can't be cyclists. Muriel agrees—but Kit will need to teach her how to ride. As the pair bond, they also help each other to heal from past hurts: Muriel's late husband was emotionally abusive and Kit's best friend rejected him after he came out to her. Lowell confronts Victorian attitudes around sex, gender, and love head on, resulting in some darker moments, but the tender, supportive, and joyful dynamic that emerges between Kit and Muriel keeps things heartfelt and hopeful. It's not just that their love story offsets the sadder moments; the sadder moments make their love story all the more beautiful. This is a triumph.
