Alphabet Of Thorn
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5.0 • 1 Rating
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- $14.99
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- $14.99
Publisher Description
Fantasy author Patricia A. McKillip, the 21st century's response to Hans Christian Andersen, has mastered the art of writing fairy tales -- as evidenced by previous works like The Tower at Stony Wood, Ombria in Shadow, and In the Forests of Serre. Alphabet of Thorn is yet another timeless fable suitable for children and adults alike.
In the kingdom of Raine, a vast realm at the edge of the world, an orphaned baby girl is found by a palace librarian and raised to become a translator. Years later, the girl -- named Nepenthe -- comes in contact with a mysterious book written in a language of thorns that no one, not even the wizards at Raine's famous Floating School for mages, can decipher. The book calls out to Nepenthe's very soul, and she is soon privately translating its contents. As she works tirelessly transcribing the book -- which turns out to be about the historical figures of Axis, the Emperor of Night, and Kane, his masked sorcerer -- the kingdom of Raine is teetering on the brink of chaos. The newly crowned queen, a mousy 14-year old girl named Tessera who wants nothing to do with matters of state, hides in the woods as regents plot revolution. The queen's destiny, however, is intertwined with Nepenthe's ability to unravel the mystery of the thorns.
PUBLISHERS WEEKLY
Those who have bemoaned the death of the true fairy tale will be delighted by this charming foray from World Fantasy Award winner McKillip (Ombria in Shadow). She skillfully weaves together two eras and two sets of believable characters to create a single spellbinding story that brilliantly modernizes a beautiful old formula: the clever orphaned foundling has no desire to seek out her parents nor ambition for high office; the powerful wizard is a disguised woman deeply in love with the conquering king, who treats his subjects kindly; the sullen young queen catapulted to her throne by her father's unexpected death turns out to have both skill and humor in unexpected places; the haughty witch finds herself honestly baffled by turns of events that she never predicted. Moreover, where another author might have played up slapstick clumsiness for cheap laughs, McKillip evokes compassion for the characters' frustrations as they take their befuddled steps toward their predestined meeting. Best of all, the strong female leads neither rail against nor submit to patriarchy. In this magical world blissfully free of bias, people are simply themselves, equally intelligent and witty and thoroughly capable while prone to the occasional error, in a manner that transcends feminism and becomes a celebration of essential humanity. The brisk sweep to the slightly abrupt conclusion leaves the reader longing for more.
