Are You Willing to Die for the Cause?
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- $16.99
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- $16.99
Publisher Description
A deep dive into a contentious and dramatic period in Canadian history—the rise of a militant separatist group whose effects still reverberate today.
It started in 1963, when a dozen mailboxes in a wealthy Montreal neighborhood were blown to bits by handmade bombs. By the following year, a guerilla army training camp was set up deep in the woods, with would-be soldiers training for armed revolt. Then, in 1966, two high school students dropped off bombs at factories, causing fatalities. What was behind these concerted, often bungled acts of terrorism and how did they last for nearly eight years?
In Are You Willing To Die For The Cause? Quebec-born cartoonist Chris Oliveros sets out to dispel common misconceptions about the birth and early years of a movement that, while now defunct, still holds a tight grip on the hearts and minds of Quebec citizenry and Canadian politics. There are no initials more volatile in Quebec history than F-L-Q. Standing for the Front de libération du Québec (or in English, the Quebec Liberation Front).The original goal of this socialist movement was to fight for workers rights of the French majority who found their rights trampled on by English bosses. The goal became ridding the province of its English oppression by means of violent revolution.
Using dozens of obscure and long-forgotten sources, Oliveros skillfully weaves a comics oral history where the activists, employers, politicians, and secretaries piece together the sequence of events. At times humorous, other times dramatic, and always informative, Are You Willing To Die For The Cause? shines a light on just how little it takes to organize dissent and who people trust to overthrow the government.
PUBLISHERS WEEKLY
Quebec-born cartoonist Oliveros (The Envelope Manufacturer), founder of Drawn & Quarterly, takes his provocative title for this scintillating, incisively drawn account of Le front de libération du Québec (FLQ) from a recruitment questionnaire distributed by the separatist guerrilla faction. Founded in the 1960s, the FLQ supported workers' rights and socialism, and saw "rich English bastards" as their oppressors. Oliveros opens with a fictionalized discovery of a box filled with transcripts. The volume is then structured as a series of excerpts from interviews with sources—politicians, journalists, former FLQ members, and others—detailing their versions of events over a seven-year period in which the FLQ committed more than 100 violent acts. The goal, as one of the principal founders declares, was "independence or death." Accidental killings abound; there are exploding mailboxes, many Molotov cocktails, and a plethora of idealist teen recruits and kooky leaders who imagine themselves heroes. It all makes for an electrifying firsthand history, supported by copiously detailed research notes, that captures the group's diverse perspectives and personalities (often pitted against one another). Oliveros takes these distinct storytellers at their word, styling their tales with accessible, brightly colored art. Part one of two planned volumes, this illuminating and incisive graphic history stands as an exemplar of the genre.