Biting the Hand
Growing Up Asian in Black and White America
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- $16.99
Publisher Description
Julia Lee is angry. And she has questions.
What does it mean to be Asian in America? What does it look like to be an ally or an accomplice? How can we shatter the structures of white supremacy that fuel racial stratification?
When Julia was fifteen, her hometown went up in smoke during the 1992 Los Angeles riots. The daughter of Korean immigrant store owners in a predominantly Black neighborhood, Julia was taught to be grateful for the privilege afforded to her. However, the acquittal of four white police officers in the beating of Rodney King, following the murder of Latasha Harlins by a Korean shopkeeper, forced Julia to question her racial identity and complicity. She was neither Black nor white. So who was she?
This question would follow Julia for years to come, resurfacing as she traded in her tumultuous childhood for the white upper echelon of elite academia. It was only when she began a PhD in English that she found answers—not through studying Victorian literature, as Julia had planned, but rather in the brilliant prose of writers like James Baldwin and Toni Morrison. Their works gave Julia the vocabulary and, more important, the permission to critically examine her own tortured position as an Asian American, setting off a powerful journey of racial reckoning, atonement, and self-discovery.
With prose by turns scathing and heart-wrenching, Julia lays bare the complex disorientation and shame that stem from this country’s imposed racial hierarchy. And she argues that Asian Americans must work toward lasting social change alongside Black and brown communities in order to combat the scarcity culture of white supremacy through abundance and joy. In this passionate, no-holds-barred memoir, Julia interrogates her own experiences of marginality and resistance, and ultimately asks what may be the biggest question of all—what can we do?
PUBLISHERS WEEKLY
English professor Lee (Our Gang: A Racial History of "The Little Rascals") dispels the myth of the docile Asian and calls out the absurdities of racial hierarchies in this incisive memoir. Asserting that America's Black-and-white racial binary renders other cultures invisible, Lee interrogates her Korean American culture and upbringing, the stereotypes foisted upon Asian Americans, and ways to dismantle a destructively entrenched white supremacist ideology. Whiteness, she writes, casts "Asians as perpetual foreigners and the model minority" and "Black people as perpetual criminals and the problem minority." Meanwhile, beneath the composure of her Korean Americans mother, simmered shame and rage in the form of hwa-byung ("anger/fire disease," which Lee calls "the curse of being Korean and a woman") and enforced by chae-myun (a "code of behavior" she describes as "a kind of social armor"). Lee assiduously identifies what constitutes white and Asian America, but her analysis somewhat falters outside of these two spaces; aside from explanations of the 1992 Los Angeles uprising—ignited by the beating of Rodney King by white LAPD cops—and an introduction to the concept of "skinfolk vs. kinfolk," for instance, Black America is much less defined. Still, Lee's self-reflective voice and sharp assessment of societal failures yield a revealing and righteously infuriating work.
