Cabal
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4.0 • 3 Ratings
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- $9.99
Publisher Description
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun….
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others’ lives.
And Decker had shown him the proof – the hellish photographs where the last victims were forever stilled, splayed in the last obscene moment of their torture.
Boone’s only refuge now was Midian – that awful, legendary place in which gathered the half-dead, the Nightbreed…
Reviews
‘A gripping story of powerful erotic intensity’
Sunday Independant
‘Barker’s characteristic juxataposition of fascination and fear find eloquent expression in this novella which treats death as metamorphosis into another state of being.’
Time Out
About the author
Clive Barker was born in Liverpool in 1952. His earlier books include The Books of Blood, Cabal, and The Hellbound Heart. In addition to his work as a novelist and playwright, he also illustrates, writes, directs and produces for stage and screen. His films include Hellraiser, Hellbound, Nightbreed and Candyman. Clive lives in Beverly Hills, California
PUBLISHERS WEEKLY
Comprised of a novel and four long stories, this volume is classic Barker, full of lurid, bloody imagery and action involving large-than-life characters. It's great fun and provides plenty of thrills or giggles, depending on how seriously you take it. In the novel, Cabal , Boone, a recovering psychotic, is cleverly manipulated by his psychiatrist, Decker, into believing that he has committed several savage murders. Decker, of course, is the villain, but Boone does not catch on. Considering himself unfit for human society, Boone flees, eventually to come upon Midian, a large crypt inhabited by the Nightbreed, dead souls in shape-changing bodies, neither good nor evil, who turn Boone into one of their own. Of the shorter works, the best written is ``The Life of Death,'' about a woman who becomes enthralled by death and is transformed into a kind of Typhoid Mary. Another, ``The Last Illusion,'' which concerns the fate of a magician's corpse, is full of intriguing moments. First serial to Penthouse; Doubleday Book Club main selection; Literary Guild featured alternate.
