Counting Down Elvis
His 100 Finest Songs
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- 57,99 $
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- 57,99 $
Description de l’éditeur
Over the course of the last six decades, Elvis Presley has sold more than a billion records; his music has touched nearly every modern listener. Despite an avalanche of books on his life, there are, surprisingly, few about his musical creativity. In Counting Down Elvis: His 100 Finest Songs, Mark Duffett urges readers to put aside the misleading stereotypes and rumor-filled debates about Elvis and listen once again to the legend who emerged from Memphis.
Elvis had a unique approach to music—one that was both powerful and versatile. In a career stretching across more than twenty years, Presley changed the face of popular music, drawing together genres—from country and blues to contemporary folk—and placing a unique stamp on all of them. Counting Down Elvis: His 100 Finest Songs explores the full range of Presley recordings, from his earliest numbers to posthumous hits, combing through gold records and unpolished gems to distill the best that Presley has to offer.
PUBLISHERS WEEKLY
In this energetic and insightful look at the songs of Elvis Presley, Duffett, a media professor at the University of Chester in the U.K., lists his "personal 100 countdown" of songs from the more than 700 master recordings that Presley released in his lifetime. Duffett does not analyze Presley's music in a chronological fashion, preferring instead to look at the singer's creative contribution to popular music. He argues that Presley was "innovative in picking and interpreting material." Rather than distinguishing between early (rock) and late (easy listening) Presley, Duffett is interested in the big picture of an artist who drew "on a full gamut of instrumentation, engulfing a variety of different genres in a broad and unique style" and "could see into the emotional core of each piece of music." Though he clearly prefers the rocking Presley of "Heartbreak Hotel" (at #4) to the country Presley of "Gentle on My Mind" (#91), he expertly conveys the subtleties of both performances. And though fans may differ with, for example, Duffett ranking Presley's version of "Bridge over Troubled Water" (at #5, with its "colossal feeling of spectacle") over "Good Rockin' Tonight" (a "rockabilly classic" at #68), most will appreciate the writer's enthusiasm. Elvis Presley fans will find this a fascinating and useful look at the King's work.
