Critical Revolutionaries
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- $20.99
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- $20.99
Publisher Description
Terry Eagleton looks back across sixty years to an extraordinary critical milieu that transformed the study of literature
Before the First World War, traditional literary scholarship was isolated from society at large. In the years following, a younger generation of critics came to the fore. Their work represented a reaction to the impoverishment of language in a commercial, utilitarian society increasingly under the sway of film, advertising, and the popular press. For them, literary criticism was a way of diagnosing social ills and had a vital moral function to perform.
Terry Eagleton reflects on the lives and work of T. S. Eliot, I. A. Richards, William Empson, F. R. Leavis, and Raymond Williams, and explores a vital tradition of literary criticism that today is in danger of being neglected. These five critics rank among the most original and influential of modern times, and represent one of the most remarkable intellectual formations in twentieth-century Britain. This was the heyday of literary modernism, a period of change and experimentation—the bravura of which spurred on developments in critical theory.
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Literary critic Eagleton (Tragedy) explores in this erudite survey the work of five literary critics who developed and popularized a form of analysis built on a belief that "the close reading of literary texts was a profoundly moral activity which cut to the heart of modern civilisation." He starts with T.S. Eliot, the only American-born of the group, who advocated for a criticism that involved "severing the work from its producer," in which "a reader's interpretation may be quite as valid as the author's own."I.A. Richards developed ideas of literary theory and the practice of "practical criticism," sharing Eliot's belief that the reader's emotional response was just as important, if not more so, than their intellectual experience. Richards's student William Empson, "perhaps the cleverest critic England has ever produced," argued for judging poetry by the same "rational standards of argument," and F.R. Leavis built an international reputation through his magazine Scrutiny. The book closes on Raymond Williams, who evolved the ideas of his predecessors from literary criticism into a new discipline, cultural studies. Along with shrewd analysis, Eagleton exhibits great wit, describing Eliot, for example, as an "unstable compound of bourgeois stuffiness and literary saboteur." This will delight scholars and students alike.
