Death Du Jour
A Novel
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4,1 • 63 notes
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- 10,99 $
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- 10,99 $
Description de l’éditeur
When a recent skeleton among ancient bones raises questions—and danger—forensic anthropologist Temperance Brennan is the only one who can solve the case in this “triumphant second appearance” (Publishers Weekly) from #1 New York Times bestselling author Kathy Reichs.
Tempe Brennan is stuck teaching an archaeology field school for students at UNCC in Charleston, South Carolina.
When she stumbles upon a recent skeleton among the ancient bones, she starts asking questions. She’s the expert they might have called in, but lucky for the police she’s already there. The skeleton leads her to a free street clinic where patients have begun to go missing, and some have wound up dead. What is going on and who is to blame? The charismatic televangelist who oversees the clinic? The shady doctor who practices there? Or is it the clinic staff?
Ryan is in Montreal, though he may come down for a visit. If he does, Tempe will have to juggle him and Detective Galiano, an old flame, who is in town investigating the disappearance of a wealthy young woman. This is a phenomenally high stakes business where one dead body can save a couple of lives, maybe more. Along with the corpses, Tempe investigates the sick moral logic of the mastermind behind the operation.
Kathy Reichs has returned Tempe to America and put her in the middle of a sinister trafficking ring that’s local and global. The suspense is intense, and the world is riveting. Kathy Reichs’s books are expert and smart with a taut energy, and this is her best plot and writing yet.
PUBLISHERS WEEKLY
Forensic anthropologist Temperance "Tempe" Brennan of the Laboratoire de M dicine L gale in Montreal makes a triumphant second appearance in Reichs's powerful followup to her bestselling debut, D j Dead. The novel opens atmospherically in a frigid church graveyard as Tempe labors to exhume the century-old remains of a nun so that the Church can posthumously declare her a saint. But the bones aren't where they're supposed to be according to the graveyard map, and there's something suspicious about them when they do turn up. Tempe's caseload multiplies as a house fire proves to be a horrific instance of arson and a university teaching assistant who's recently joined a cult goes missing. The three seemingly individual events begin to braid together, as the doings with the doomsday cult draw Tempe to North Carolina. As in D j Dead, Reichs--herself a forensic anthropologist--renders comprehensively and believably the cool, tense intelligence of her heroine. A North Carolina native who consults in Montreal only a few months of the year, Tempe still hasn't acclimated to the bone-chilling Northern cold, and if she's come to expect the misogynist attitudes of some of the Canadian officials, she still bristles at them. Also well presented are Tempe's refreshing compassion in the face of relentless autopsies, her ability to describe a corpse with judiciously graphic detail and her penchant for revealing the art behind the science on such matters as the preservation of a corpse's teeth. Reichs's first novel, which won the Arthur Ellis Award for Best First Novel of 1997, was compared justifiably to the Kay Scarpetta novels of Patricia Cornwell. Soon, Cornwell's novels may be compared to Reichs's.
