Echopraxia Echopraxia

Publisher Description

Prepare for a different kind of singularity in Peter Watts' Echopraxia, the follow-up to the Hugo-nominated novel Blindsight

It's the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it's all under surveillance by an alien presence that refuses to show itself.

Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat's-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he's turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out.

Now he's trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn't yet found the man she's sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call "The Angels of the Asteroids."

Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

GENRE
Sci-Fi & Fantasy
RELEASED
2014
August 26
LANGUAGE
EN
English
LENGTH
384
Pages
PUBLISHER
Tor Publishing Group
SELLER
Macmillan
SIZE
877.3
KB

Customer Reviews

Global Charm ,

Hacking the brain can only do so much

Blindsight was clever and original, but Echopraxia is a poor sequel. It’s basically space opera. The plot twists are too bizarre for a supposedly serious story. Valerie’s return from the dead looks like lazy writing. Dan’s suicide at the end of the book is unconvincing.

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