Fear
A Novel of World War I
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4.0 • 1 Rating
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- $14.99
Publisher Description
A NYRB Classics Original
Winner of the Scott Moncrieff Prize for Translation
A young soldier learns the true meaning of fear amidst the carnage of World War I in this literary masterpiece and “one of the most effective indictments of war ever written” (Wall Street Journal)
1915: Jean Dartemont heads off to the Great War, an eager conscript. The only thing he fears is missing the action. Soon, however, the vaunted “war to end all wars” seems like a war that will never end—whether mired in the trenches or going over the top, Jean finds himself caught in the midst of an unimaginable, unceasing slaughter. After he is wounded, he returns from the front to discover a world where no one knows or wants to know any of this. Both the public and the authorities go on talking about heroes—and sending more men to their graves. But Jean refuses to keep silent. He will speak the forbidden word. He will tell them about fear.
John Berger has called Fear “a book of the utmost urgency and relevance.” A literary masterpiece, it is also an essential and unforgettable reckoning with the terrible war that gave birth to a century of war.
PUBLISHERS WEEKLY
Chevallier's (best known for Clochemerle) book, published for the first time in the U.S. with an award-winning translation by Malcolm Imrie on the centennial of World War I, represents that rarest of war narratives one that is indispensable, nearly unprecedented, and painfully relevant. Based on Chevalier's experiences on WWI's front lines, the novel was met with controversy upon its original publication in France in 1930. The plot unfurls in linear war-story fashion: our "malcontent hero," Dartemont, is unceremoniously dispatched to the trenches, "where rotting corpses serve as bait." He's subsequently wounded, and convalesces in a hospital among insane youths and acquiescent matrons, only to return home a changed man. There he is treated with baffled embarrassment by his family, and shipped back to the sustained nightmare of the front lines. What makes Chevallier's book a masterpiece is the lucidity of the author's eyewitness account; its prose moves from practical concerns like picking lice to poetic reverie in the space of a paragraph, capturing the chaos of war and the stillness of the battlefield, revealing a terrible beauty.
