Flower Fables
-
- $3.99
-
- $3.99
Publisher Description
Flower Fables was the first work published by Louisa May Alcott and appeared on December 9, 1854. The book was a compilation of fanciful stories first written six years earlier for Ellen Emerson (daughter of Ralph Waldo Emerson). The book was published in an edition of 1600 and though Alcott thought it "sold very well," she received only about $35 from the Boston publisher, George Briggs Old-Fashioned Girl is a novel by Louisa May Alcott. It was first serialised in the Merry's Museum magazine between July and August in 1869 and consisted of only six chapters. For the finished product, however, Alcott continued the story from the chapter "Six Years Afterwards" and so it ended up with nineteen chapters in all. The book revolves around Polly Milton, the old-fashioned girl who titles the story.
Louisa May Alcott (November 29, 1832 – March 6, 1888) was an American novelist and poet best known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Raised by her transcendentalist parents, Abigail May and Amos Bronson Alcott in New England, she also grew up among many of the well-known intellectuals of the day such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau.
Alcott's family suffered financial difficulties, and while she worked
to help support the family from an early age, she also sought an outlet
in writing. She began to receive critical success for her writing in
the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard, under which she wrote novels for young adults.
Published in 1868, Little Women is set in the Alcott family home, Hillside, later called the Wayside, in Concord, Massachusetts and is loosely based on Alcott's childhood experiences with her three sisters.
PUBLISHERS WEEKLY
Written for Ralph Waldo Emerson's daughter, Ellen, when Alcott was 16, and first published in 1855, these six prosy fairy tales were chosen from a 1992 collection, Louisa May Alcott's Fairy Tales and Fantasy Stories, edited by Daniel Shealy; Shealy provides an informative afterword here. Readers meet a cast of elves, fairies, brownies and sprites with such Shakespearean names as Willy Wisp, Moonbeam and Thistledown, and the children who occasionally dally with them. Thinly disguised morality lessons told in an over-upholstered style, they instruct the audience in the importance of various virtues. In "The Frost King," for example, elves resolve to conquer the ice-hearted ruler of winter through peaceable means ("Let us teach you how beautiful sunshine and love and happy work can make you"). More than a little dated, the stories grow tedious with lofty homilies (e.g., "little Annie dwelt like a sunbeam in her home, each day growing richer in the love of others and happier in herself"). Preiss's (The Pig's Alphabet) garish artwork further hampers an emotional connection to the stories. The lack of tonal subtlety is aggravated by a self-consciously multicultural-esque grouping of fairy folk with oversize but misshapen eyes and bizarrely pointed ears and chins. Even the typeface, which has distractingly flowery ligatures, is overdone. All but the most die-hard Alcott fans can skip this one. Ages 5-12.
