Go to Hell
A Heated History of the Underworld
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- $17.99
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- $17.99
Publisher Description
Close your eyes and picture -- just for a moment -- hell. Fire? Demons? Eternal torment?
Well, yes -- that's the place, in one very hot nutshell. But that's not all there is to the forbidding world beneath us. For a few millennia now, we mortals have imagined and reimagined hell in countless ways: as a realm of damnation, as an inspiration for highest art, as a setting for the lowest of lowbrow comedy. One might conclude that for all our good intentions to enter para- dise, we can't seem to get enough vivid details of its counterpart, hell.
Provocative, colorful, and damned entertaining, Go to Hell takes readers on a tour of the underworld that is both darkly comical and seriously informative. From the frozen hell of the Vikings to the sun-drenched Cayman Islands' town of Hell (where tourists line up to have their postcards aptly postmarked), from Dante's circles of hell to Buffy the Vampire Slayer's Hellmouth, Go to Hell embraces our evolving relationship with the sinner's final destination, revealing how we truly think of ourselves in this world.
What's down below?
Meet HEL, the hideous, half-rotting goddess of the Viking underworld.
Beware the Egyptians' AM-MUT, an unsightly mix of lion, crocodile, and hippo parts, and insatiably hungry for wicked souls.
Visit JIGOKU, a Buddhist realm of eight fiery hells and eight icy hells: an all-you-can-suffer hot-and-cold buffet.
Step into the INFERNO for a tour of Dante's nine circles of the damned...
PUBLISHERS WEEKLY
The universality of the belief in hell is assumed, but its meaning and implications are not examined in this rather lighthearted historical tour of a place Dante, Jonathan Edwards and others have described in, well, hellish detail. While acknowledging that hell is a real and terrifying place for believers, journalist Crisafulli and documentary filmmaker Thompson seem more interested in hell as an "entertainment vehicle," a "not-so-real place" where our foibles and frailties are resignedly recognized, and even perversely celebrated. In short takes, the authors leap through cultural history, from the Epic of Gilgamesh and the Book of the Dead forward to Buffy the Vampire Slayerp 14, 19, 2 8 and then back to Buddhism and Shinto,30ff and the text is dappled with amusing asides, including various celebrities' idea of hell (Bob Newhart: "There would be a dentist-but no Novocaine.") and tidbits about a heavy-metal band called Hell on Earth and a Caribbean town called Hell. The authors' only sources on the vague Jewish concept of the afterlife seem to be a couple of encyclopedias and reference booksmarked in bibliography-which only underscores the light nature of this effort.
