The new novel from Nobel laureate Toni Morrison.
Spare and unsparing, God Help the Child is a searing tale about the way childhood trauma shapes and misshapes the life of the adult. At the centre: a woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life; but which caused her light-skinned mother to deny her even the simplest forms of love until she told a lie that ruined the life of an innocent woman, a lie whose reverberations refuse to diminish.... Booker, the man Bride loves and loses, whose core of anger was born in the wake of the childhood murder of his beloved brother ... Rain, the mysterious white child, who finds in Bride the only person she can talk to about the abuse she's suffered at the hands of her prostitute mother ... and Sweetness, Bride's mother, who takes a lifetime to understand that "what you do to children matters. And they might never forget."
APPLE BOOKS REVIEW
We are awestruck by Toni Morrison’s ability to write about unspeakable horrors in ways that are startling, incandescent, and unshakable. The Nobel Prize–winning author of Beloved and The Bluest Eye—blazing depictions of racism’s legacy—transfixed us with God Help the Child, a slender novel that packs a knockout punch. A chorus of voices narrates the story of Bride, a glamorous cosmetics executive reeling from a lover’s rejection. Taking us on shocking and revelatory tangents, Morrison explores the ripple effects of childhood trauma.
In Morrison's short, emotionally-wrenching novel, her first since 2012's Home, a mother learns about the damage adults do to children and the choices children make as they grow to suppress, express, or overcome their shame. The story begins with the birth of Lula Ann Bridewell, a midnight black baby whose mother cannot stand to touch her. Grown-up Lula Ann transforms herself into Bride, a stiletto-wearing, Jaguar-driving California executive with dark skin proudly accentuated by stylish white clothing. Amid preparations for the launch of her signature cosmetics line, Bride offers a gift-bag of cash and cosmetics to parolee Sofia Huxley, the kindergarten teacher Bride accused of sexual abuse 15 years before, earning Bride maternal approval and Sofia her prison sentence. Sofia's angry rejection of Bride's present, coinciding with the departure of Bride's lover, inspires such self-doubt that Bride fears regressing back into Lula Ann. A car accident lands her in a culvert, where a little girl keeping dark secrets of her own comes to the rescue. Nobel laureate Morrison explores characteristic themes of people held captive by inner struggles; the delusion of racism; violence and redemption. Her literary craftsmanship endures with sparse language, precise imagery, and even humor. This haunting novel displays a profound understanding of American culture and an unwavering sense of justice and forgiveness.