Great Dream of Heaven
Stories
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1.0 • 1 Rating
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- $12.99
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- $12.99
Publisher Description
In eighteen stories unlike any in our contemporary literature, Sam Shepard explores the vast and rugged American West with the same parched intensity that has made him “the great playwright of his generation” (The New York Times).
A boy watches a “remedy man” tame a wild stallion, a contest that mirrors his own struggle with his father. A woman driving her mother’s ashes across the country has a strangely transcendent run-in with an injured hawk. Two aging widowers, in Stetsons and bolo ties, together make a daily pilgrimage to the local Denny’s, only to be divided by the attentions of their favorite waitress. Peering unblinkingly into the chasms that separate fathers and sons, husbands and wives, friends and strangers, these powerful tales bear the unmistakable signature of an American master.
PUBLISHERS WEEKLY
"E.V. made no bones about it; he was not a horse whisperer by any stretch," writes Shepard (Cruising Paradise, etc.) in the first of 18 brief stories that make up his new collection. "He could fix bad horses, and when he fixed them they stayed fixed." This terse, weather-beaten "remedy man" turns out to be so observant that he gives a bullied boy a new sense of the truly vast scale of life and of his own possibilities. Some of the tales explore how characters fail to connect with any greater vision. Ambushed by sex, buried in habit or gripped by a desperation they didn't know they possessed, they become like blind forces of nature, some of them terrifying and heartbreaking. At his best, Shepard shows us how in brief, bright moments people wake up from the suck and drag of the distractions that cloud their lives. In "Living the Sign" a young fast-food worker commemorates his moment of lucidity by posting a sign that reads, " 'Life is what's happening to you while you're making plans for something else.'" Shepard shows that consciousness calls out to us: eager to track down the employee who made the sign, a patron asks if anyone there seems "particularly auspicious? Particularly present and attentive?" In classic Shepard style, he also shows in the title story how people can fall apart as quickly and with just as much force as they come together. Like "The Remedy Man" himself, these sketches are simple but deeply intuitive and true.
