This book has the unusual format of containing two books in one: from front to back reads "The Wife's story" and from back to front "The Husband's story." The latter was written first, but the two are written such that either can be read first.
The wife, Brenda Bowman, is a housewife who has recently gained commercial success and cultural renown as a quiltmaker. As the novel opens, she is leaving her Chicago home to attend a quiltmaker's conference in Philadelphia. Over the course of a week, she attends workshops on various aspects of quiltmaking, makes friends, and becomes increasingly intimate with a man she meets. On the first night at the conference, she visits him in his room and leaves there her brand new red raincoat, which she purchased at an exorbitant price, and finds it missing when she returns. She reflects much on her relationship with her husband Jack and with the two teenage children she has left at home.
Meanwhile, Jack remains at home. His half of the story covers the same timespan but essentially none of the same events. Jack is a historian who has been working for years at the same book and is beginning to doubt himself and his subject matter. He reads in a journal that an ex-girlfriend, the girl he left for Brenda, has just published a book on ostensibly the same topic. While pondering the future of his career, Jack is overwhelmed by crises: his best friend separates from his wife and comes to stay at the Bowman house; the next door neighbor attempts suicide. All the while, Jack ponders his own role in history and the way that the recorded versions of events often leave out the most significant points. - Melissa Rachiele, Resident Scholar, allreaders.com
Shields ( The Stone Diaries , Fiction Forecasts, Dec. 13) delivers a tour de force with these companion novels examining the two halves of one 20-year marriage. Quiltmaker Brenda Bowman leaves her home in a Chicago suburb to attend a crafts convention in Philadelphia. Aware of her lack of independent experience of the world, she is elated by this chance to escape from routine. The convention leaves Brenda wide-eyed with wonder. She is thrilled to share a room with the renowned quilter Verna Glanville, but enters to find Verna in the midst of a sexual encounter. Brenda becomes increasingly intimate with a kind man attending a metallurgists' convention, whose life reveals to her the variety of arrangements people make in their marriages. All of this is set against the background of meetings on crafts: one lecturer, on the Freudian interpretation of common quilting patterns, says the Star of Bethlehem represents ``an orgasmic explosion.'' Back home with their two adolescent children, historian Jack Bowman is struggling with demons. After working for several years on a book about the trading practices of Native Americans, he sees an announcement about a book on the same subject written by an ex-lover. His best--and perhaps only--friend, Bernie Koltz, has been deserted by his wife and shows up to sleep on his couch. Later, a neighbor, an affected drama critic, attempts suicide after reading a scathing review of his performance in an amateur production of Hamlet . Jack is as introspective as Brenda is practical, and were it not for Shields's inventive specificity, their views could serve as textbook illustrations of the differences between male and female thought. Brenda grows at breakneck speed, getting a jolt of reality yet retaining her sweet sense of openness to the world. Shields chooses language carefully. In remembering the one moment in their marriage when she felt a ``lapse of love,'' Brenda reflects that ``she had been assailed by a freak visitation, and preserved the knowledge that it could happen again.'' Jack muses at one point that, just as a written record of events can never express history, ``a marriage licence wasn't the history of a marriage.'' As Shields handily demonstrates here, a marriage is the culmination of a million tiny moments, and she strings them together with intense cumulative power.