Heidegger's Platonism Heidegger's Platonism
    • $67.99

Publisher Description

Heidegger's Platonism challenges Heidegger's 1940 interpretation of Plato as the philosopher who initiated the West's ontological decline into contemporary nihilism. Mark A. Ralkowski argues that, in his earlier lecture course, On the Essence of Truth, in which he appropriates Plato in a positive light, Heidegger discovered the two most important concepts of his later thought, namely the difference between the Being of beings and Being as such, and the 'belonging together' of Being and man in what he eventually calls Ereignis, the 'event of appropriation'.



Ralkowski shows that, far from being the grand villain of metaphysics, Plato was in fact the gateway to Heidegger's later period. Because Heidegger discovers the seeds of his later thought in his positive appropriation of Plato, this book argues that Heidegger's later thought is a return to and phenomenological transformation of Platonism, which is ironic not least because Heidegger thought of himself as the West's first truly post-Platonic philosopher.

GENRE
Non-Fiction
RELEASED
2011
October 27
LANGUAGE
EN
English
LENGTH
240
Pages
PUBLISHER
Continuum
SELLER
Bookwire Gesellschaft zum Vertrieb digitaler Medien mbH
SIZE
6.7
MB
Uses and Abuses of the Classics Uses and Abuses of the Classics
2017
Hermeneutics between History and Philosophy Hermeneutics between History and Philosophy
2016
Nietzsche as German Philosopher Nietzsche as German Philosopher
2021
Ancient Concepts of Philosophy Ancient Concepts of Philosophy
2005
The Platonic Art of Philosophy The Platonic Art of Philosophy
2013
Nietzsche and Modern German Thought Nietzsche and Modern German Thought
2012
Deleuze and the Diagram Deleuze and the Diagram
2012
Simultaneity and Delay Simultaneity and Delay
2012
From Ricoeur to Action From Ricoeur to Action
2012
Nietzsche's Thus Spoke Zarathustra Nietzsche's Thus Spoke Zarathustra
2011
Art and Institution Art and Institution
2011
Lyotard and the 'figural' in Performance, Art and Writing Lyotard and the 'figural' in Performance, Art and Writing
2012