Hiding Man
A Biography of Donald Barthelme
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- 12,99 $
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- 12,99 $
Description de l’éditeur
In the 1960s Donald Barthelme came to prominence as the leader of the Postmodern movement. He was a fixture at the New Yorker, publishing more than 100 short stories, including such masterpieces as "Me and Miss Mandible," the tale of a thirty-five-year-old sent to elementary school by clerical error, and "A Shower of Gold," in which a sculptor agrees to appear on the existentialist game show Who Am I? He had a dynamic relationship with his father that influenced much of his fiction. He worked as an editor, a designer, a curator, a news reporter, and a teacher. He was at the forefront of literary Greenwich Village which saw him develop lasting friendships with Thomas Pynchon, Kurt Vonnegut, Tom Wolfe, Grace Paley, and Norman Mailer. Married four times, he had a volatile private life. He died of cancer in 1989. The recipient of many prestigious literary awards, he is best remembered for the classic novels Snow White, The Dead Father, and many short stories, all of which remain in print today. Hiding Man is the first biography of Donald Barthelme, and it is nothing short of a masterpiece.
PUBLISHERS WEEKLY
This sprawling first biography of the writer Donald Barthelme (1931 1989) complements an exemplary account of the man and his milieu with a history of 20th-century architecture, film, philosophy, visual art and political activism not to mention a stunning exegesis of Barthelme's work and a surfeit of vignettes from New York literary life in the 1960s and '70s. Daugherty, a professor of English and creative writing at Oregon State and former student of Barthelme, renders the writer of The Dead Father in all his complexity: the experimental iconoclast, the "establishment figure" without a university degree who published more than 100 stories in the New Yorker, the citizen-activist, admitted alcoholic, the devoted if distant father and the "prankster on the page." While Daugherty firmly takes Barthelme's side in his four troubled marriages, he assesses the writer's legacy, his champions and detractors (e.g., Joyce Carol Oates, John Gardner and the "hundreds" of readers who canceled their New Yorker subscriptions in 1968 to protest the publication of his catty Snow White). Like Barthelme's best stories, this unapologetically literary and ambitious book is cultural and artistic bricolage at its finest. 16 pages of b&w photos.
