How Festive the Ambulance
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- $12.99
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- $12.99
Publisher Description
In this debut poetry collection by award-winning author Kim Fu, incantations, mythical creatures and extreme violence illuminate small scenes of domestic life and the banal tragedies of modern love and modern death.
A sharp edge of humour slices through Fu's poetry, drawing attention to the distance between contemporary existence and the basic facts of life: “In the classrooms of tomorrow, starved youth will be asked to imagine a culture that kept thin pamphlets of poetry pinned to a metal box full of food, who honoured their gods of plenty by describing ingredients in lush language."
Alternating between incisive wit and dark beauty, Fu brings the rich symbolism of fairy tales to bear on our image-obsessed age. From “The Unicorn Princess": “She applies gold spray paint to her horn each morning, / hoping to imitate the brass tusks / on the unicorns skewered to the carousel, / their brittle, painted smiles, harnesses / embedded in their backs and shellacked to high gloss." These poems are utterly of-the-moment, capturing the rage, irony and isolation of the era we live in.
PUBLISHERS WEEKLY
Fu's playful, lyrical, and cutting, debut poetry collection is a dizzying display of styles and scope. Its voice is both consistent and utterly brilliant across five distinct sections. Fu moves from discussions of the mundanity of mythological beings to the vagaries and explorations of youth, dives deep into dissections of aging and decay, and always stays grounded in the surreal, the absurd, and a most vicious wit. The book is primarily composed of free verse and prose poetry; it does occasionally lapse into more formal constructions, but is at its strongest when flouting convention, which it does with a vengeance. Fu's work engages contrariness of spirit in tragicomic terms, and her meditations on violence, family connection, sexual connection, and death in its myriad forms and connotations the latter alone moving from literal to metaphorical to sexual with conjurer's ease are exquisite to behold. The book is eminently quotable and shockingly accomplished. Everything within warrants praise, and "Salt", "Small Rooms in the Land of the Dead", "July," and "Lifecycle of the Mole-woman" are particular highlights.
