In a Dark Wood
What Dante Taught Me About Grief, Healing, and the Mysteries of Love
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- $11.99
Publisher Description
When you lose your whole world in a moment, where do you turn?
On a cold November morning, Joseph Luzzi, a Dante scholar and professor at Bard College, found himself racing to the hospital—his wife, Katherine, eight-and-a-half months pregnant, had been in a horrible car accident. In one terrible instant, Luzzi became both a widower and a first-time father.
In the aftermath of unthinkable tragedy, Luzzi relied on the support of his Italian immigrant family, returning to his childhood home to grieve and care for his infant daughter. But it wasn't until he turned to The Divine Comedy—a poem he had devoted his life to studying and teaching—that he learned how to resurrect his life. Following the same structure as Dante's epic poem, Luzzi is shepherded out of his own "dark wood," passing through the grief-stricken Inferno, the Purgatory of healing, and ultimately stepping into the Paradise of rediscovered love.
Beautifully written, poignant, insightful, and unflinchingly honest, In a Dark Wood is a hybrid of heartrending memoir and a meditation on the power of great art to give us strength in our darkest moments. Drawing us into hell and back, it is Dante's journey, Joseph Luzzi's, and our very own.
PUBLISHERS WEEKLY
Luzzi (My Two Italies), a professor of Italian at Bard College, plunges into a familiar classic he had often taught and studied Dante's Divine Comedy that suddenly took on a heartbreaking new resonance after the death of his young wife. In November 2007, Luzzi was in his late 30s, living in Tivoli, N.Y., with Katherine, who was nine months pregnant. He felt he was finally on his way professionally and personally when tragedy struck. A car accident took Katherine's life, yet the baby she carried survived; within a few hours Luzzi found himself both a widower and a new father to a daughter, Isabel. In a narrative that would seem contrived coming from someone less immersed in the language of Dante, Luzzi attests that reading the exiled 14th-century Florentine author at this crucial juncture "gave me the language to understand my own profound sense of displacement." Like Dante's epic poem, Luzzi's narrative moves structurally through the stages of the Underworld, from Hell into Paradise; instead of having Virgil as his guide, Luzzi enlisted his family, namely his old-world mother, Yolanda, to care for Isabel. Yolanda's help was a godsend but also at times got in the way of his emotional connection with his new daughter. Naturally, Katherine serves as his own Beatrice. Luzzi honestly grapples with profound questions about being a man and father in this very literary and very personal work.
