In Ruins
A Journey Through History, Art, and Literature
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- $7.99
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- $7.99
Publisher Description
In this enchanting meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the buzzards on the pyramids, Henry James in the Colosseum, and Freud at Pompeii. We travel the Appian Way with Dickens and behold the Baths of Caracalla with Shelley. An exhilarating tour, at once elegant and stimulating, In Ruins casts an exalting spell as it explores the bewitching power of architectural remains and their persistent hold on the imagination.
PUBLISHERS WEEKLY
"If I am lonely in a foreign country," confesses Woodward, director of Britain's Holburne Museum of Art, " I search for ruins." Great houses and haunted ones, ruins of antiquity and of modern wars, suburban remnants and monastic shells form his terrain in this erudite, brisk and invigorating walk through lost domains. "Ruins do not speak," says Woodward, "we speak for them." In this compact but capacious book, Woodward brings forth the voices of architects, diarists, sculptors, eccentrics, archeologists, even a boxer. Woodward himself is present, sometimes traveling, sometimes reading, but never as an intrusive presence. Although Byron may have felt "the air of Greece" made him a poet, Woodward is certain that it was "the clammy mists of a ruined English abbey" and the effects are present in his own heightened, engaging prose, which often finds literary ghosts among the stones. From Virginia Water in Surrey, the largest artificial ruin in Britain, to Ninfa ("the loveliest lost city in Europe") and the real life inspirations for the abodes of Miss Havisham, the Ushers and Ozymandias, Woodward ventures to Ephesus (where St. Paul preached) and the magnificently over-designed John Soane's Museum, London (where he served as curator). The Roman Coliseum morphs from terrifying entertainment arena to cow pasture and stone quarry to major tourist attraction visited by, among the many, Hawthorne and Hardy. If " ruin is a dialogue between an incomplete reality and the imagination of the spectator," this book listens in intently.
