Independence Day
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4.0 • 4 Ratings
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- $9.99
Publisher Description
Frank Bascombe is no longer a sportswriter, yet he's still living in Haddam, New Jersey, where he now sells real estate. He's still divorced, though his ex-wife, to his dismay, has remarried and moved along with their children to Connecticut. But Frank is happy enough in his work and pursuing various civic and entrepreneurial sidelines. He has high hopes for this 4th of July weekend: a search for a house for deeply hapless clients relocating to Vermont; a rendezvous on the Jersey shore with his girlfriend; then up to Connecticut to pick up his larcenous and emotionally troubled teenage son and visit as many sports halls of fame as they can fit into two days. Frank's Independence Day, however, turns out not as he'd planned, and this decent, appealingly bewildered, profoundly observant man is wrenched, gradually and inevitably, out of his private refuge. Independence Day captures the mystery of life — in all its conflicted glory — with grand humour, intense compassion and transfixing power.
PUBLISHERS WEEKLY
Ford is the author now of five novels and a book of short stories, but he is probably best known for The Sportswriter (1988), widely praised as a realistic, compassionate and humorous view of American life as seen through the eyes of a highly intelligent and deeply involved observer. The man was Frank Bascombe of Haddan, N.J., and for those who came to see him as a new kind of American fiction icon, the good news is that he's back. Independence Day is an often poetic, sometimes searing, sometimes hilarious account of a few days around the Fourth of July in Bascombe's new life. Divorced, working with genuine enthusiasm and insight as a real estate salesman (not even John Updike has penetrated the working, commercial life of a contemporary American with such skill and empathy), embarked on a tentative new relationship with Sally, who lives by the sea, narrator Frank struggles through the long weekend with a mixture of courage, self-knowledge and utter foolishness that makes him a kind of 1980s Everyman. He desperately tries to find a new home for some brilliantly observed losers from Vermont, has some resentful exchanges with his former wife, takes a difficult teenage son on what might have been an idyllic pilgrimage to two sports Halls of Fame, bobs and weaves uneasily around Sally and, as the Fourth arrives, achieves a sort of low-key epiphany. This is a long, closely woven novel that, like life itself, is short on drama but dense with almost unconscious observations of the passing scene and reflections on fragmentary human encounters. In fact, if it were possible to write a Great American Novel of this time in our lives, this is what it would look like. Ford achieves astonishing effects on almost every page: atmospheric moments that recall James Agee, a sense of community as strong as those of the great Victorians and an almost Thurberesque grasp of the inanities and silent cruelties between people who are close. Even as a travel writer, evoking journeys through summertime Connecticut and New York, Ford makes his work glow. Perhaps the book's only fault is a technical one: that so many key conversations have to be carried out, in rather improbable length and complexity, on the phone. But it's difficult to imagine a better American novel appearing this year. First printing 50,000; simultaneous Random House Audio; author tour.
