Inspector Alleyn 3-Book Collection 4

Commemorating 75 years since the Empress of Crime’s first book, the fourth volume in a set of omnibus editions presenting the complete run of 32 Inspector Alleyn mysteries

SURFEIT OF LAMPREYS
The Lampreys were a peculiar family. They entertained their guests with charades – like rich Uncle Gabriel, who was always such a bore. The Lampreys thought if they jollied him up he would bail them out of poverty again. But Uncle Gabriel meets a violent end, and Chief Inspector Alleyn had to work out which of them killed him…

DEATH AND THE DANCING FOOTMAN
It begins as an entertainment: eight people, many of them adversaries, gathered for a winter weekend by a host with a love for theatre. It ends in snowbound disaster. Everyone has an alibi – and a motive as well. But Roderick Alleyn soon realizes that it all hangs on Thomas, the dancing footman…

COLOUR SCHEME
It was a horrible death -lured into a pool of boiling mud and left to die. Roderick Alleyn, far from home on a wartime quest for enemy agents, knows that any number of people could have killed him: the English exiles he'd hated, the New Zealanders he'd despised, or the Maoris he'd insulted. Even the spies he'd thwarted…

Reviews

‘The brilliant Ngaio Marsh ranks with Agatha Christie and Dorothy Sayers’
Times Literary Supplement

‘Brilliantly readable… first class detection.’
Observer

‘Ngaio Marsh transcended the detective genre by the power of her writing and the rich variety of characters who people her novels.’
P.D. James

‘Ngaio Marsh is among the most brilliant of those authors who are transforming the detective story from a mere puzzle into a novel with many other qualities.’
Times Literary Supplement

‘The finest writer in the English languange of the pure, classical puzzle whodunnit. Among the crime queens, Ngaio Marsh stands out as an Empress.’
The Sun

About the author

Dame Ngaio Marsh was born in New Zealand in 1895 and died in February 1982. She wrote over 30 detective novels and many of her stories have theatrical settings, for Ngaio Marsh’s real passion was the theatre. She was both actress and producer and almost single-handedly revived the New Zealand public’s interest in the theatre. It was for this work that she received what she called her ‘damery’ in 1966.