Told in exquisite prose befitting one of the world's loveliest art forms, Brian Murphy eloquently chronicles how carpets embody humanity's endless striving for unattainable perfection.
Every Persian carpet has a story to tell—from the remote villages of Afghanistan and Iran, down the ancient trade routes traveled for centuries, to the bazaars of Tehran and the markets of the Western world.
Carpet-making is one of this tumultuous region's few constants, an art form that transcends religious and political turmoil. Part travelogue and part exploration into the meaning and worth of these mystical artifacts, The Root of Wild Madder presents practical information about carpets while exploring the artistic, religious, and cultural complexities of these enigmatic lands.
Murphy, an AP religion reporter, presents his travels across the zone where Persian carpets are made in a diligent quest to understand them as both art and commodity. He immerses himself in carpet-making culture, accruing trade secrets and learning specialized vocabulary from Afghan and Iranian mentors. Murphy begins his journey in a Tehran bazaar stacked high with carpets before traveling to the ancient weaving center of Herat, in northwestern Afghanistan, arriving weeks after the fall of the Taliban. Visiting Shiraz, he's impressed by the untutored intellect of young illiterate girl weavers. At last he finds himself amid wild madder fields (madder is the source of Persian carpets' characteristic shade of red). Taking in dog fights, gruesome games of polo and disturbing scenes of child labor and poverty, Murphy tactfully emphasizes the warm hospitality, expertise and enterprise of his Iranian and Afghan hosts, providing extended biographies for some of them. His book exudes humility and respect for Islamic culture and a welcome eyewitness account of, and historical information about, a region much in the news. Nevertheless, the writing too often becomes pedestrian and unsatisfying in misguided efforts to be atmospheric. Map not seen by PW.