The first biography of america’s best-known short story writer of the late twentieth century.
The London Times called Raymond Carver "the American Chekhov." The beloved, mischievous, but more modest short-story writer and poet thought of himself as "a lucky man" whose renunciation of alcohol allowed him to live "ten years longer than I or anyone expected."
In that last decade, Carver became the leading figure in a resurgence of the short story. Readers embraced his precise, sad, often funny and poignant tales of ordinary people and their troubles: poverty, drunkenness, embittered marriages, difficulties brought on by neglect rather than intent. Since Carver died in 1988 at age fifty, his legacy has been mythologized by admirers and tainted by controversy over a zealous editor’s shaping of his first two story collections.
Carol Sklenicka penetrates the myths and controversies. Her decade-long search of archives across the United States and her extensive interviews with Carver’s relatives, friends, and colleagues have enabled her to write the definitive story of the iconic literary figure. Laced with the voices of people who knew Carver intimately, her biography offers a fresh appreciation of his work and an unbiased, vivid portrait of the writer.
He has been called "a chronicler of blue-collar despair." He led a relatively private life, much of it spent trying to raise cash via odd jobs and the writing-conference circuit, and died from the cancerous effects of excessive drinking and smoking. Raymond Carver (1938 1988) is a fascinating figure more for what went on in his imagination, as it registered the dynamics of couples' relationships amid the counterculture, than for his messy life. He came from the lower-middle class of Yakima, Wash., and was a father before he turned 21. Maryann Burk, his first wife, had her own measure of success as a memoirist, but as the Carvers' lives came to resemble his stories, they divorced. Carver soon found his second great love, Tess Gallagher. It's ironic that the master of the minimalist short story has his own life recounted in such whopping detail by short story writer and essayist Sklenicka. Earnest and carefully researched, this biography interestingly recounts Carver's working relationship with editor Gordon Lish and other publishing figures. But the writing is most compelling in an epilogue that highlights posthumous legal disputes showing Gallagher maintaining an iron grip on Carver's growing legacy and reputation.